Antique & Fine Art Sale on Tuesday 30th June 2009
1. A ruby and diamond cluster ring, the central circular cut ruby claw mounted within a surround of brilliant cut diamonds
Estimate: 900-1200
2. A Victorian sapphire and diamond half hoop ring, the graduated stones in carved mount (one diamond deficient), and a sapphire and diamond eternity ring, the alternating sapphires and diamonds in rub-over setting in two colour 9ct gold mount
Estimate: 100-150
3. A hollow link curb pattern bracelet, with 15ct padlock clasp, suspended with assorted charms, four additional charms and a 9ct gold box link chain
Estimate: 300-400
4. A 9ct gold retractable pencil, by Samuel Mordan and Co.
Estimate: 50-70
5. A ruby and diamond cluster ring, the raised oval cut ruby within a border of eight cut diamonds, 18ct gold shank
Estimate: 300-400
6. A ruby and rose diamond set as an applied bow to a scroll engraved bar, an amethyst bar brooch and a ring of foliate design
Estimate: 120-180
7. A diamond two stone cross-over ring, the old brilliant cut stones in simple claw mounts
Estimate: 250-350
8. A diamond cluster ring, the central brilliant cut diamond in raised claw mount, within a border of brilliant cut diamonds
Estimate: 600-800
9. A mid Victorian diamond ring, the old brilliant cut diamonds in open claw mount, the ring with scrolling foliage and enamel detail
Estimate: 150-250
10. An open faced watch, the case engraved with scrolls and foliage against a cross-hatched back ground, the dial with Roman numerals, key wind cylinder movement, together with a Victorian silver open faced watch with white enamel dial and a mahogany box now fitted with compartments for watches
Estimate: 80-120
11. A 9ct rose gold open faced watch, the white enamel dial with Arabic numerals and subsidiary seconds at six o'clock, keyless lever movement, monogram engraved to reverse of case
Estimate: 100-150
12. A Victorian 18ct gold open faced watch, the white enamel dial with Roman numerals and subsidiary seconds at six o'clock, signed Daniel Desbois, key wind lever escapement, London 1874, monogram engraved to reverse of case (lacking watch glass)
Estimate: 200-300
13. A sapphire and diamond cluster ring, the oval sapphire within a border of old brilliant cut diamonds
Estimate: 200-300
14. An Edwardian gentleman's 18ct gold signet ring, with monogram engraved shield-shaped cartouche, foliate engraved sides
Estimate: 100-150
15. A three stone diamond half hoop ring, the three old brilliant cut diamonds in claw mounts to simple platinum band
Estimate: 500-700
16. A stylised ruby, diamond and turquoise floral brooch, the cluster centres with radiating wirework detail in 18ct gold, and a pair of earrings en suite
Estimate: 400-600
17. A 9ct gold charm bracelet, the hollow link curb pattern bracelet wit single clip connection suspended with various charms including two 19th century seals
Estimate: 300-500
18. An Edwardian half sovereign, in later ring mount, a native American Indian coin mounted as a ring and three further rings
Estimate: 200-300
19. A Victorian diamond set pendant, on later chain, a pendant depicting an archer, a cameo pendant on chain, two further pendants and an Edwardian gold and silver medal
Estimate: 100-150
20. A 9ct gold identity bracelet, with blank cartouche and textured curb pattern bracelet
Estimate: 100-150
21. A sapphire and clear paste graduated line bracelet, the mixed cut stones in millegrain channel setting to flexible link band, unmarked white metal, c. 1920
Estimate: 200-300
22. A sapphire and diamond cluster ring, the oval cut sapphire with claw mount, with brilliant cut diamond surround, trifurcated shoulders and 18ct gold mount
Estimate: 500-700
23. A ruby and diamond dress ring, of abstract design, the elliptical rubies and brilliant cut diamonds at varying heights with 18ct white gold spacers, bark finished textured mount
Estimate: 200-300
24. A three stone half hoop diamond ring, the graduated brilliant cut stones in claw setting, platinum mount
Estimate: 1500-2000
25. A Victorian sovereign, in rope twist mount, with associated open link chain
Estimate: 200-300
26. A Victorian amethyst and seed pearl brooch, the oval cut amethyst within seed pearl border, a 9ct gold and amethyst set cruciform pendant, and a pair of white metal and bouton pearl cluster earrings
Estimate: 150-250
27. An amethyst and pearl brooch, the heart-shaped amethyst surmounted by a coronet, with seed pearl and cultured pearl embellishment, the whole in 9ct gold mount
Estimate: 250-350
28. A diamond and ruby half hoop eternity ring, the alternating step cut and brilliant cut stones in 18ct gold channel setting
Estimate: 150-250
29. A Victorian lady's silver fob chain, two fobs and a T bar, together with two silver cycling award fobs
Estimate: 70-100
30. A mystery knot ring, soldered to reverse, stamped '750'
Estimate: 100-150
31. An emerald and diamond half hoop ring, the central oval cut emerald with four single cut diamonds to each side, the whole with beaded claw mounts
Estimate: 150-250
32. An Art Deco sapphire and diamond ring, the three graduated mixed cut sapphires set diagonally with old brilliant cut diamonds above and below, the whole in rectangular millegrain mount
Estimate: 700-900
33. A late 19th century ruby and diamond cluster pendant, surmounted by a swallow, with later trace link chain
Estimate: 150-250
34. A tanzanite and diamond cluster ring, the cut-cornered step cut tanzanite collet set, with graduated baguette diamonds to each side and brilliant cut diamond border
Estimate: 800-1200
35. An early 20th century diamond bar brooch, the graduated mixed old cut stones within carved millegrain border
Estimate: 1200-1600
36. A diamond set three row cross-over ring, the central row of five brilliant cut claw-set diamonds with bands of graduated channel-set baguette diamonds above and below
Estimate: 1400-1800
37. A George III silver pair cased pocket watch, verge movement by William Clifton of London, No. 3390, white enamel dial, London 1789 (watch maker's papers in back of case)
Estimate: 80-120
38. A ruby and diamond half hoop eternity ring, the calibre cut rubies and eight-cut diamonds in channel setting, and a small quantity of costume jewellery
Estimate: 120-180
39. A late Victorian star brooch/pendant, set throughout with pearls and half-pearls, with pendant setting and associated chain
Estimate: 100-150
40. An emerald and diamond dress ring, set with diagonal bands of emeralds and diamonds, in raised claw mounts
Estimate: 250-350
41. An emerald and diamond cross-over ring, with four stone clusters within lasso style setting
Estimate: 150-250
42. An Edwardian seed pearl and peridot pendant, the central oval peridot within scrolling floral mount, set throughout with seed pearls, associated chain
Estimate: 120-180
43. An Edwardian peridot and seed pearl bracelet, with scrolling oval lozenges set with peridots between seed pearl quatrefoils, padlock clasp stamped '15ct'
Estimate: 200-300
44. A suite of three late Victorian Spanish silver sweetmeat dishes, circular shaped with foliate borders, pierced lobed bodies and three trifurcated claw feet
Estimate: 80-120
45. A pair of silver grape scissors, with foliate engraved decoration, in fitted case
Estimate: 100-150
46. An Hermes of Paris silver cigarette box, of plain Art Deco form, with monogrammed engine turned hinged cover, 12 x 22cm (4 3/4 x 8 3/4in)
Estimate: 80-100
47. A set of twelve sterling silver American dessert forks, cast with rococo designs
Estimate: 150-180
48. Five matched silver George III soup or latterly table spoons, with various monograms and initials, indistinct stretched hallmarks, approx 8 troy oz
Estimate: 80-120
49. A pair of 18th century Dutch silver dog nose spoons, hallmarks with Amsterdam city mark, engraved handle with the crest of a baker and his oven, initialled 'PHR', together with one other spoon crested with a hound's head and the motto 'Fidele'
Estimate: 60-80
50. A Victorian silver trophy cup, embossed floral decoration with blind cartouche, fitted two scroll handles with acanthus leaf thumb pieces, London 1893, 21.5cm (8 1/2in) high, approx 30 troy oz, with ebonised socle
Estimate: 120-150
51. A continental silver toy figure of a Roman charioteer, drawn by a team of three horses, bearing import marks to the underside, 9cm (3 1/2in) long
Estimate: 150-180
52. A George III Irish silver Old English pattern double ended marrow scoop, bearing a crest with motto 'He shines whenever he can', Dublin 1814 by Richard Sawyer (Jnr), 24cm (9 1/2in) long
Estimate: 60-80
53. A probably German (800) silver part canteen of cutlery
Estimate: 350-400
54. A George IV silver nutmeg grater, with hinged covers and internal rasp, the slight dome lid, 3.5cm (1 1/2in), London 1821, maker not found
Estimate: 80-120
55. A Victorian fiddle, shell and thread edge scimitar fish slice with pierced blade, London 1841, by Geo. Adams, 31cm (12 1/4in)
Estimate: 120-150
56. A matched set of three George III silver Adam design chamber candlesticks, with detachable drip pans and shaped thumb pieces, London 1797 and later, probably by Abraham Peterson, together with a conical snuffer and one similar, a two handled loaded bud vase, a whalebone handled toddy ladle and two other silver spoons with long shanks
Estimate: 200-300
57. A pair of George III heavy silver cushion form entree dishes and covers, with beaded rims and wheatsheaf finial knops, together with a pair of contemporary Sheffield plate entree dish warmers with ivory fittings, the dishes London 1800, probably by Richard Cooke, approximately 109 troy oz
Estimate: 500-700
58. A late Victorian silver handed ivory pepper mill, Birmingham 1898, 8cm (3 1/4in) high
Estimate: 60-80
59. A late Victorian silver mounted glass pepper mill, London 1885, 8cm (3 1/4in) high
Estimate: 60-80
60. A Victorian silver tea pot, cover with floral cast knop, engraved crest of a hand grasping a fish, London 1841, together with a silver cased condiment set and cased silver coffee spoons with sugar nips
Estimate: 80-100
61. A pair of George III Old Sheffield plate table candelabra, of fluted Adam design, each column fitted with removable three sconce section, raised on an oval moulded base
Estimate: 300-400
62. A late 18th/early 19th century Pearlware tray, of lobed outline and an inner border of a diaper band, the central plateau with scrolling foliage, 38cm (15 1/4in) wide
Estimate: 100-150
63. A 19th century Hispano-Moresque copper lustre decorated charger, cobalt blue text to rim and cross to centre, 41cm (16in) diameter
Estimate: 50-70
64. A 19th century Hispano-Moresque lustre pottery charger, moulded design with deep boss bearing dragon decoration, rope twist rim, 45cm (17 3/4in) diameter
Estimate: 50-70
65. A 19th century Hispano-Moresque copper lustre and cobalt blue bowl, text to rim and cross design with fleur de lys terminals to centre, 37cm (14 1/2in) diameter, together with one other having raised central boss, 37cm (14 1/2in) diameter (2)
Estimate: 50-70
66. A 19th century Hispano-Moresque copper lustre charger, raised cobalt blue painted decoration, 41cm (16in) diameter
Estimate: 50-70
67. A 19th century Hispano-Moresque copper lustre charger, central boss with bird motif, 39cm (15 1/4in) diameter, together with one other decorated with alternate raised lustre and cobalt painted fleur de lys decoration to rim, 37cm (14 1/2in) diameter
Estimate: 50-70
68. An 18th century possibly Chaffers Liverpool porcelain circular bowl, painted with chinoiserie emblems, sacred fungus, parasol and others, 20cm (8in) diameter
Estimate: 180-220
69. A 1920s Royal Worcester cabinet plate, with claret border with raised gilt neoclassical motif, the central plateau hand painted with colourful blooms by W. H. Austin (signed), factory mark to the underside, 26.5cm (10 1/2in) diameter
Note: Walter Harold Austin, 1891-1971, was a freelance artist known for his fish and bird studies and with a fondness for delphiniums
Estimate: 200-300
70. A 1920s Royal Worcester cabinet plate, with claret border with raised acanthus mantles, the central plateau hand painted with colourful blooms by W. H. Austin (signed), bearing factory mark to the underside and retailer's marks for S & C Crump & Co., San Francisco, 27cm (10 3/4in) diameter
Estimate: 200-300
71. A 1920s Royal Worcester cabinet plate, with apple green border with raised gilt neo-classical motif, the central plateau hand painted with a spray of summer flowers by E. Barker (signed), bearing factory marks and retailer's marks for Ovington Bros. & Co. New York -Chicago to the underside
Note: Ernest Barker, 1890-1958, trained under Henry Davis and was known for his sheep and tits and his 'old style flowers'
Estimate: 250-300
72. A 1930s Royal Worcester dessert plate, with jade green border, with Arts and Crafts style gilt running band, the central plateau hand painted with wild roses by M. Hunt (signed), bearing factory marks to the underside, 23cm (9in) diameter
Estimate: 50-70
73. A 1930s Royal Worcester shallow cabinet dish, with petal edge, painted with a cock pheasant on a fallen trunk, by James Stinton (signed), bearing factory mark to the underside, 22cm (8 3/4in)
Note: James Stinton, 1870-1961, known for his working of pheasants and grouse, was the son of the porcelain painter John Stinton senior
Estimate: 250-300
74. A pair of early 20th century Royal Worcester cabinet plates, hand painted with annotated studies of a reed warbler and nightingale, by E. Barker (signed), bearing factory marks to the underside, 23.5cm (9in) diameter
Estimate: 150-200
75. A pair of late 19th century Minton cabinet plates, with gilt rococo borders, hand painted with aquatic scenes of fish, rocks and sea weed, by Albert Wright (monogrammed), bearing factory mark and retailer's marks of Gilman & Collamore of Fifth Avenue, New York, 23cm (99in) diameter
Note: Albert H. Wright, active 1870-1906, was a well known fish painter, son of Arthur Wright, also painter, gilder and chemist
Estimate: 200-300
76. A late 19th century Minton cabinet plate, the pierced blue celeste border with vignettes of putti and classical trophies, the central plateau hand painted with a scene of a maiden waiting with her dog for love's messenger, painted by Lucien Boullemier, 24cm (9 1/2in) diameter, bearing factory marks to the underside
Note: Lucien Emile Boullemier, 1877-1949, was a well known Minton artist specialising in figure painting in the Sevres style
Estimate: 120-150
77. An early 20th century Royal Doulton low comport, the bleu de roi border with vignettes of cut blooms and insects, with raised gilt scrolls, the central plateau hand painted with an exotic bid in a river landscape, by E. Wood (signed), bearing factory mark and Rd number to the underside, 22cm (8 3/4in) diameter
Note: Edwin Wood, 1870-?, was a well known artist working for Wedgwood and Royal Doulton, having been born into a family of potters and painters
Estimate: 120-150
78. A late 19th century George Jones dessert plate, the border with raised rope vines with flowering moss roses and draped swag, by W. Birbeck (signed), 22cm (8 3/4in) diameter, together with a Royal Doulton wall plate, painted and printed with flowers after P. Curnack, all bearing factory marks to their undersides
Estimate: 60-80
79. A 1920s Royal Worcester wrythen globular squat vase, painted with autumnal leaves and fruit, by Kitty Blake (signed), bearing factory marks to the underside, 7cm (2 3/4in) high
Note: Kitty Blake, born 1885, is well known for her blackberries and autumnal leaves and shows the influence of the Hadley Factory in her working of the genre
Estimate: 80-100
80. An early 20th century Royal Doulton baluster vase, with mock reticulated collar above raised and jewelled gilding and enamels and painted with bouquet of roses, by E. Wood (signed), bearing factory marks to the underside, 13cm (5in) high
Estimate: 150-200
81. A pair of late 19th century Locke's Worcester spill vases, painted with perched bullfinches by James Lewis (signed), bearing factory marks to the undersides, 15cm (6in) high.
Note: James Lewis, born 1859, was apprenticed at Royal Worcester as a painter, leaving to work for other porcelain manufacturing firms but returning to Worcester to work at Locke & Co.
Estimate: 200-250
82. An early 20th century Royal Worcester baluster vase, with shirt upstand collar and bleu de roi shoulders, painted with cut blooms by E. Phillips (signed), bearing factory marks to the underside, 18cm (7in) high
Note: Ernest John Phillips (1876-1932) was known for his floral studies, drawing on a keen interest as an horticulturist
Estimate: 140-160
83. A late 19th century Royal Worcester onion shaped vase, with slender gilt neck, the body painted with roses and buds, raised on gilt foot ring, 22cm (8 34in) high
Estimate: 70-100
84. A pair of Marcoloni period Meissen tea bowls, painted with mixed flowers, bearing cross sword and star mark to their underside, 8cm (3 1/4in) diameter
Estimate: 60-80
85. A collection of Worcester porcelain tea wares, decorated with gilt trellis network over a white body, c.1800, comprising a pair of cups and saucers and two further cups of differing design
Estimate: 70-100
86. A pair of Worcester wrythen bodied cups and saucers, with gilt sprig detail, c.1780s
Estimate: 70-100
87. A pair of Worcester coffee cups and saucers, decorated with salmon pink bands with diaper and star gilding, one other similar cup and saucer
Estimate: 70-100
88. A collection of probably Worcester porcelain tea wares, with gilt and iron red fruiting vine and paterae pattern, comprising a pair of cups and saucers and three coffee cups
Estimate: 70-100
89. An 1830s/40s Coalport bleu de roi urn form lidded sucrier, painted with reserves of flowers, together with a slop bowl and saucer
Estimate: 70-100
90. A pair of Royal Doulton silicon ware table candlesticks, each with inset contrasting clay detail raised on a domed foot, impressed marks to base, 16cm (6 1/4in) high
Estimate: 70-100
91. A 19th century English porcelain vase and cover, of classical triumphal urn form, with painted tablet panels of cavorting cherubs on a bleu celeste ground, the domed cover with pierced detail, probably Minton & Co, 33cm (13in) high
Estimate: 80-100
92. An early 20th century Delft shell form bulb planter, with pierced decoration, painted with Dutch canal and windmill scenes, fitted with a pair of cow head handles, 39cm (15in)
Estimate: 70-100
93. A continental hard paste porcelain panel, painted with a lady mantling the light from a lighted candle in a chamber stick, in the manner of Godfrey Schalken, 15 x 10cm (6 x 4in)
Estimate: 150-200
94. A Charlotte Rhead Crown Ducal charger, piped trellis pattern with painted leaf design, 32cm (12 1/2in) diameter
Estimate: 120-150
95. A Cadogan design tea pot, brown glazed, melon form, with flowering sprig decoration, 15cm (6in) high
Estimate: 60-80
96. A Bretby Art pottery wall decoration, in the form of a sea gull with outstretched wings, 37cm (14 1/2in) high
Estimate: 60-80
97. A Belleek part cabaret set, comprising tray, tea pot, milk jug and three cups with saucers, plain with root stock handles, First Period black back stamp
Estimate: 200-250
98. An oval cameo plaque, decorated with fairy tale images on a pink ground, 21 x 16.5cm (8 1/2 x 6 12in)
Estimate: 80-120
99. A pair of late 19th century German porcelain bottle vases, painted in the early 18th century Meissen style with blue and floral panels and figural reserves of lovers in romantic landscapes, bearing conjoined Augustus Rex mark to base, possibly Helen Wolfson, 27cm (8 1/4in)
Estimate: 120-150
100. An early 18th century style Dutch Delft guglet form bottle vase, painted with stylised oriental scenes in underglaze blue and manganese, 38cm (15in) high
Estimate: 100-150
101. An early 19th century Derby porcelain figure of Minerva, she stands with plumed helm, fish scale half armour and her circular mask, mounted shield held at ease, raised on a canted square plinth base, marked with red baton marks to base, 16cm (6 1/4in) high
Estimate: 100-150
102. An early 19th century Derby porcelain figure of Poseidon, he stands with full beard without his trident, with billowing cloak and his hippocampus at his feet, raised on a canted square plinth base, marked with red baton marks to the base, 15cm (6in) high
Estimate: 100-150
103. An early 19th century Staffordshire pottery figure group of Count Bruhl's tailor and his wife, mounted on her goat with her children on her back and around her neck, marked with a serif 'S' (Salt?) to base, together with a later Staffordshire figure of one of the Royal children riding a goat, a wood type figure of a trumpeting herald and other Staffordshire figures
Estimate: 120-150
104. An early 20th century Meissen porcelain figure of a recumbent leopard, marked with small underglaze cross swords, 13cm (5in) long, together with a pair of probably Samson of Paris porcelain figures emblematic of the seasons and a Rudolstadt figure of a shepherdess
Estimate: 100-150
105. Two late 18th century Derby porcelain figures modelled as putti holding flowering baskets, emblematic of spring, 11cm (4 1/2in)
Estimate: 80-100
106. A late 19th century French tin glazed earthenware table box, of serpentine form, with gilt metal fittings and mounts, painted with cut blooms and lovers in Watteau-esque open landscapes, marked for Ceanx on the underside, 9cm (3in) wide
Estimate: 80-100
107. A Beswick advertising jug, in the form of a running businessman, with bowler hat crown stopper, the base bears the legend 'A Double Diamond Works Wonders', No. 1517, 21cm (8 1/4in) high
Estimate: 80-100
108. A Doulton Faience vase, painted by Mary Butterton, panels of yellow iris on a cobalt blue ground, the flared rim with leaf design, impressed and painted marks to base, 35.5cm (14in) high (illustrated in 'Victorian Art Pottery', 1974, by E. Lloyd Thomas)
Estimate: 300-500
109. A Minton Secessionist pottery jardiniere, of tapering bucket form, turquoise ground, banded top and bottom with a yellow band and purple hearts, the body a diamond diaper centred by flowers, printed factory marks to base, 22cm (8 3/4in) high
Estimate: 80-100
110. A late 19th century Parian bust of Havelock, after E. W. Wyon, depicted in military uniform with decoration, 39cm (15 1/4in) high
Estimate: 150-200
111. A 19th century Parian figure group of Romeo and Juliet, he cups his hands to take the rose she offers, standing on a canted rectangular base, 45cm (17 3/4in) high
Estimate: 150-200
112. A Royal Doulton flambe squat vase, decorated with cottage in landscape design, 9cm (3 1/2in) high
Estimate: 50-70
113. A Royal Doulton flambe veined vase, tear drop form, 20cm (8in) high
Estimate: 60-80
114. A pair of late 19th century stoneware candlesticks, moulded bark design with entwined glazed acorn and oak leaf decoration, the base with rabbits, snakes and other creatures
Estimate: 60-80
115. A pair of Royal Doulton stoneware vases, mottled blue green glaze, banded with gilded impressed scroll design, impressed marks to base, 18cm (7in) high
Estimate: 80-120
116. A late 19th century Doulton Lambeth stoneware vase, decorated by Florence C. Roberts, with panels of blossoms, blue mottled glaze, tapering neck on ovoid body with stepped circular foot, impressed and incised marks to base, dated 1884, 25cm (9 3/4in) high
Estimate: 150-200
117. A Minton secessionist vase, of tapering cylindrical form, with flared rim and handles, red and green glaze with piped swag decoration, printed factory back stamp and 'No 1' to base, c. 1910, 30cm (11 3/4in)
Estimate: 60-80
118. A Doulton Lambeth stoneware jug, banded blue ground with beaded acanthus and oak leaves, silver mounted rim engraved 'The C.C.C. Breakfast Club, 1881', decorated by George Tinworth, 24cm (9 1/2in) high
Estimate: 100-150
119. A pair of Doulton Lambeth stoneware vases, chine ware of baluster form, green and brown mottled glazed flared rims, blue glazed shoulders, the impressed bodies piped and glazed with blossom and leaves, impressed factory marks to bases, 30cm (11 3/4in) high
Estimate: 150-200
120. A late 19th century Doulton Lambeth silicon ware vase, of elegant baluster form, impressed and gilded floral decoration, with pale blue panels and rosettes, impressed marks to base, 46cm (18in) high
Estimate: 60-80
121. A Doulton Lambeth stoneware jardiniere planter pot, with glazed blue flower design, raised on an associated Doulton column stand, with the same floral design, but in a different colour way, column 49cm (19 1/4in) high
Estimate: 100-150
122. A Bretby leaf dish, with deceptive bisque glazed walnuts and nut crackers, factory impressed marks to base and the registered no. 295659
Estimate: 60-80
123. A set of four Watcombe oval terracotta plaques, hand painted with botanical studies symbolising the four seasons, impressed marks verso, 36 x 26cm (14 x 10in)
Estimate: 60-80
124. A pair of Barum blue glazed terracotta candlesticks of tapering form, 42cm (16 1/2in) high, together with an orange glazed jug with incised decoration
Estimate: 60-80
125. An art pottery vessel with spout and stopper, incised decoration, raised on platform foot, brown and green glaze, 33cm (13in) high, together with two bottle neck vases, a two handled vase and a Brannam leaf design baluster vase, 24cm (9 1/2in) high (5)
Estimate: 60-80
126. A pair of art pottery terracotta wall brackets, with angel and vine decoration, 25cm (10in) wide
Estimate: 50-70
127. A Rye pottery jug, with applied hop decoration, 20cm (8in) high, and two smaller Rye jugs
Estimate: 50-70
128. An art pottery tear drop vase, acid yellow glaze, 25cm (10in) high, together with two red glazed vases (3)
Estimate: 50-70
129. A Watcombe two handled terracotta vase, hand painted blossom decoration on a green ground, impressed marks to base, 14cm (5 1/2in), together with an Aller Vale and other hand painted terracotta vases (6)
Estimate: 60-80
130. A Baron Barnstaple blue glazed terracotta vase, with acanthus decoration, 20cm (8in), together with four other glazed art pottery vases
Estimate: 60-80
131. A pair of Alller Vale glazed terracotta dwarf candlesticks, 10cm (4in) high, a Watcombe jug with moulded fruiting vine decoration and other small art pottery wares
Estimate: 60-80
132. A Watcombe pilgrim bottle, hand painted poppy, corn and other floral decoration, 21cm (8 1/4in) high, together with a terracotta tobacco pot, a flask with cover, etc
Estimate: 50-70
133. A 20th century Leach pottery baluster stoneware vase, with treacle glaze over the ribbed body, bearing Leach pottery seal mark to base, 19cm (7 1/2in) high
Estimate: 70-100
134. A Hele Cross terracotta plate, with hand painted dog rose decoration, 24cm (9 1/4in) diameter, together with other hand painted terracotta plates
Estimate: 50-70
135. A Brannam blue glazed terracotta night light holder with handle, a small Baron of Barnstaple chamber stick, 6.5cm (2 1/2in) high, a tankard and two green glazed animals, a seated cat and an elephant (5)
Estimate: 50-70
136. A Watcombe painted terracotta charger, Dallying at the old pump, cockerel and hens in farmyard, 32cm (12 1/2in) diameter, together with an Aller Vale seated dog, and a Watcombe vase with painted blossom decoration (3)
Estimate: 50-70
137. A Watcombe terracotta jardiniere, purple glaze ground with pink floral decoration, 20cm (8in) high, together with a pair of Longpark spill vases, 15cm (6in) high, and a pair of Watcombe bottle neck vases with handles
Estimate: 50-70
138. Two Brannam yellow glazed terracotta jugs, other art pottery jugs and a stoneware bottle vase inscribed 'A. G. Hopkins 1929' to base, 21cm (8 1/4in) high
Estimate: 50-70
139. A Brannam art pottery vase, two handle design in yellow and green glaze, 16cm (6 1/4in) , together with various art pottery small vases
Estimate: 60-80
140. A 20th century green glazed studio pottery vase by Edwin Beer Fishley, inscribed to the underside, together with a similarly glazed Torquay waisted vase, a part glazed Watcombe jug and an unknown squat vase
Estimate: 60-80
141. A Susie Cooper green glazed pottery jug, with incised stylised charging ram decoration, inscribed to base 'Susie Cooper, England', 20cm (8in) high
Estimate: 70-100
142. A Thoune c.1900 Swiss Majolica charger, with carved oriental border, the central panel painted with a scene of Chillon Castle on Lake Geneva, Switzerland
Estimate: 80-120
143. A 19th century German porcelain mounted bottle stopper, in the form of a jovial gentleman in powdered wig and black collar (probably Meissen), together with a pair of continental porcelain bitters decanter stoppers, mounted with naive butterflies, and a long dog metal stopper
Estimate: 150-200
144. A Dutch early 18th century Delft vase of squared baluster form, painted with landscape scenes within raised and moulded vignettes, in the style of The Three Bells Factory, now fitted as a table lamp, 38cm (15in)
Estimate: 150-200
145. An early 18th century salt glazed stoneware ale bottle, with bulbous body and simple loop handle, 30cm (12in)
Estimate: 150-200
146. A scarce early 19th century Staffordshire figure group, depicting Dr Syntax playing cards with a companion seated at a table beneath a flowering bower, raised on a moulded base, 21cm ( 8 1/4in)
Estimate: 80-100
147. A Victorian Staffordshire pottery mug, moulded in the form of a grinning Bacchic mask, with loop handle, painted in colours, 10cm (4in) high
Estimate: 80-100
148. A late 18th century Derby (patch marked) porcelain figure of the shepherd's wife, she stands with a rearing sheep with a garland of flowers about its neck, on a moulded scroll base, 15cm (6in) high, together with a Chelsea Derby figure of the gardener, 14cm (5 1/2in)
Estimate: 80-100
149. An Art and Crafts Persian blue ground faience censer, stand and cover, pierced throughout with pseudo Islimi motif, the lid with seated fakir finial, the double walled body fitted a pair of parrot handles, the base with stylised imp feet, 33cm (13in) diameter, possibly Burmantofts
Estimate: 400-500
150. A Carlton Armand lustreware vase, pale blue ground with butterfly decoration, gilded, No 2134/140, 20cm (8in) high
Estimate: 80-100
151. A 19th century bisque game pie dish, moulded game and fruiting vine swags, complete with cover and liner, 26cm (10in)
Estimate: 80-120
152. The Eric and Doris Lloyd Thomas photographic archive, accumulated during research for Victorian Art Pottery, including illustrations of Martinware, De Morgan, Elton, Barum, Linthorpe, etc
Estimate: 60-80
153. The Eric Lloyd Thomas archive, including a copy of his book Victorian Art Pottery, limited edition of 1000, 1974, together with hand-written notes, research, correspondence, black and white photographs of ceramics and potters at work, Ault pottery pattern books, audio tape interviews and original pen and ink illustrations for Victorian Art Pottery
Estimate: 60-80
154. A Chinese K'ang Hsi blue and white porcelain vase, of slender baluster form, painted with peonies on a scroll ground with stiff plantain leaf collar, bearing double veneration mark to base, 23cm (9in)
Estimate: 250-300
155. A Chinese pottery roof tile with seated dragon dog decoration, part green patination, 36cm (14in) high
Estimate: 80-120
156. A Chinese pottery standing figure, moulded as a robed court attendant holding a rat, remains of polychrome decoration, 28cm (7in) high
Estimate: 60-80
157. A 19th century Chinese baluster porcelain vase, decorated in the famille rose palette, peony design with gilded grass hopper, 10cm (4in) high
Estimate: 50-70
158. A Chinese blue and white cracked ice and prunus punch bowl, 30cm (12in) diameter
Estimate: 60-70
159. A pair of early 19th century Chinese famille rose baluster vases and covers, painted with antiques and precious items, the heavy baluster bodies with high domed covers with spear knops, raised on carved and pierced hardwood bases, 38cm (15in) high
Estimate: 300-500
160. An 18th century Chinese Imari porcelain bowl, painted with Chinese river landscapes in iron red, cobalt blue and gilt, 24cm (9 1/2in) diameter
Estimate: 60-100
161. A Chinese Qianlong famille rose sparrow beak porcelain jug, the slender melon body with auricular handle, painted with Western flowers beneath a scale collar, 14cm (5 1/2in) high
Estimate: 80-120
162. A pair of very large 20th century Chinese baluster vases, famille rose decoration, 142cm (56in) high
Estimate: 200-300
163. A Chinese porcelain water pot, with free hand copper red fungus decoration, with everted rim and globular body, bearing a six character mark for K'ang Hsi, 6.5cm (2 1/4in) high
Estimate: 120-140
164. A Chinese flambe baluster vase, probably Qianlong, 22cm (8 3/4in)
Estimate: 120-150
165. An early 20th century Japanese porcelain baluster vase, painted with a cicada on a fruiting branch, text verso, marked with four character mark to the base, 29.5cm (11 3/4in) high
Estimate: 70-100
166. A late 19th/early 20th century Chinese porcelain wedding vase, painted with the betrothed seated in a garden surrounded by celebrants, text verso, bearing spurious reign marks for Yung Cheng to the base, 26cm (10in) high
Estimate: 120-150
167. A Chinese blue and white porcelain ginger jar of globular form, painted with flowering plants with bands of lappets above and below, bearing an artemisia leaf emblem to the base, possibly K'ang Hsi (cover missing), 25cm (9 3/4in) high
Estimate: 200-300
168. A Chinese petal edged porcelain tray with shaped edge, painted in iron brown with a rampaging lion dog on a ground of scudding clouds, bearing impressed character marks to the base, 24cm (9 1/2in) diameter
Estimate: 70-100
169. A pair of Japanese glazed stoneware spill vases of bamboo form, with heron mounts, impressed seal marks to base, 28cm (11in) high
Estimate: 60-80
170. An early 18th century Japanese style porcelain vase, painted in gilt and iron red, now fitted as a table lamp, 81cm (14in) high
Estimate: 100-150
171. A Chinese Yuan dynasty Longquan celadon stem cup, with everted rim, 13cm (5in) diameter, together with one similar
Estimate: 100-150
172. A Chinese Yuan dynasty celadon dish, with carved decoration of a flowering lotus stem, the circular dish with steeply inclined border and moulded bead rim, 36cm (14in) diameter
Estimate: 300-500
173. A Lalique modernist design glass vase, of square section, the base with frosted leaf motifs, inscribed free hand to the base 'Lalique France', 29cm (11 1/4in)
Estimate: 100-150
174. A mid 20th century Daum heavy art glass vase, of wrythen form, with petal edge, bearing engraved factory name to the outer face, 26cm (10in) high
Estimate: 100-150
175. A vaseline glass shade with crimped rim, 21cm (8 1/4in) diameter, together with other decorative glass ware
Estimate: 60-80
177. A late 19th century St Denis art glass vase, of compressed form, with cased and cut ground, decorated with front of furnace worked enamel blooms, marked 'St Denis' in cipher to the base, 20cm (8in)
Estimate: 200-300
178. A set of ten 19th century facet glass rinsers, with engraved fruiting vine decoration
Estimate: 80-120
179. An early 20th century continental opal glass bowl, fluted rim on brass Art Nouveau design frame with three supports, overall 21cm (8 1/4in) high
Estimate: 60-80
180. William Lionel Wyllie RA RE (1851-1931)
The Pass of Glencoe
etching, signed in pencil to the margin
plate 25 x 35 cm (9 3/4 x 13 3/4 in)
Provenance: Deighton's Strand Gallery, London
Estimate: 100-150
181. French lithographer, early 19th century
Six Turkish or Persian scenes, including soldiers, a band, falaka punishment, etc
lithographs
most signed in monogram and dated 1819 in the plate
31 x 41 cm (12 x 16 in) and smaller
Estimate: 120-180
182. After Cecil Aldin (1870-1935)
'The Bluemarket Races' - 'On the Road' and 'Homewards'
coloured lithographs, published 1902 by Lawrence & Bullen
38 x 60 cm (15 x 23 1/2 in) and slightly smaller, oak frames
Estimate: 80-120
183. Charles Turner ARA (1773-1857), after J.-L. Agasse
'Preparing to start'
mezzotint, published 1803 by Turner
39 x 62 cm (15 1/2 x 24 1/2 in)
Provenance (according to an old manuscript label): Marquess of Cholmondeley; Miss Fennah, Chester May 1923
Estimate: 150-250
184. Francis Jukes (1745-1812) and J. Jenkins, after William Mason
'A Country Race Course, with Horses Preparing to Start'
etching and aquatint, published 1786 by Phillips
44 x 64 cm (17 x 25 in)
Estimate: 120-180
185. Frederick Stacpoole ARA (1813-1907), after Briton Riviere
'Sympathy'
engraving, signed in pencil by both artist and engraver
published 1881 by Thos. Agnew & Sons
61 x 50 cm (24 x 20 in)
Estimate: 70-100
186. David Lucas (1802-1881), after John Constable RA
'The Rainbow, Salisbury Cathedral'
engraving, published by E. Gambart
54 x 68 cm (21 x 26 1/2 in)
Estimate: 120-180
187. John Martin (1789-1854)
'Belshazzar's Feast'
mixed method engraving
47 x 72 cm (18 1/2 x 28 in)
Estimate: 150-250
188. Samuel Cousins RA (1801-1887), after Sir John Everett Millais, Bt., ARA
'The Order of Release'
engraving, published 1856 by Henry Graves & Co
arched top, 64 x 46 cm (25 x 18 in)
Estimate: 70-100
189. William Turner Davey (1818-c. 1890), after Edward Matthew Ward
The execution of the Marquis of Montrose in 1650
engraving, published 1862 by Thos. Agnew
61 x 72 cm (24 x 28 in)
Provenance: Floors Castle, Christie's, 17 September 1990
Estimate: 70-100
190. John Lucas (1807-1874)
'Field Marshal Arthur, Duke of Wellington'
engraving, published 1841 by F. G. Moon
69 x 45 cm (27 x 17 1/2 in)
Estimate: 70-100
191. Charles Mottram (1806-1876), after John Martin
'The Last Judgment'
coloured engraving, published 1857 by Thomas McLean
70 x 105 cm (27 1/2 x 41 in), stretched but unframed
Estimate: 70-100
192. William Ward ARA (1766-1826), after Owen
'Beggar of Bedlam Green'
mezzotint, lettered in manuscript
56 x 47 cm
Estimate: 120-180
193. Edward Orme (late 18th century), after 'a Gentleman'
'The Tomb of Juliet'
coloured mezzotint, 'from an Original Transparent Drawing'
published 1799 by Edward Orme
46 x 30 cm (18 x 12 in)
Estimate: 70-100
194. Richard Houston (1721-1775), after Edward Penny
'I saw a Smith stand with his Hammer, thus....' (King John)
mezzotint, with verse below
56 x 45 cm (22 x 17 1/2 in)
Estimate: 100-150
195. John Speede, Caermarden - Both Shyre and Towne described, hand coloured map, dated 1610, with text verso, 38 x 51 cm (15 x 20 in)
Estimate: 80-120
196. James Bretherton (late 18th century), after Henry William Bunbury
'Hyde Park' and 'A City Hunt'
etchings, published 1780
each 56 x 161 cm (22 x 63 1/2 in)
Estimate: 600-800
197. Edmund Scott (1758-?), after George Morland
'Boys Robbing an Orchard' and 'Boys Skating'
a pair of coloured engravings, published 1790 by J. R. Smith
each 30 x 38 cm (12 x 15 in)
Estimate: 80-120
198. After Thomas Rowlandson (1756-1827)
'Damp Sheets' and another
two coloured aquatints
each 24 x 32 cm (9 1/2 x 12 1/2 in)
Estimate: 150-250
199. After Thomas Rowlandson (1756-1827)
A young officer watching his lover reading a letter
coloured etching
oval, 32 x 27 cm (12 1/2 x 10 1/2 in)
Estimate: 70-100
200. Henry Brocas, Junior (1798-1873), after Samuel F. Brocas
Four views in Dublin
coloured etchings, published by J. Le Petit, Dublin
each 25 x 40 cm (10 x 15 1/2 in)
Estimate: 250-350
201. Laurie & Whittle (publishers), 18th century
'A Perspective View of the City of Venice'
coloured engraving, published London 1794
plate 28 x 42 cm (11 x 16 1/2 in)
Estimate: 80-120
202. Unknown engraver, 19th century, possibly after George Morland
Two spaniels flushing pheasants; and Pheasants in a wood
a pair of coloured aquatints
each 25 x 36 cm (9 1/2 x 14 in)
Estimate: 70-100
203. Thomas Bowles (18th century)
'A View of the Royal Hospital at Chelsea & the Rotunda in Ranelaigh [sic] Gardens'
coloured engraving, published 1761
plate 26 x 40 cm (10 x 15 1/2 in)
Estimate: 70-100
204. *** Bowles (18th century)
'The Chinese House, the Rotunda & the Company in Masquerade in Renelagh [sic] Gardens'
coloured engraving, published by F. West
plate 28.4 x 42 cm (11 1/4 x 16 1/2 in)
Estimate: 70-100
205. *** Bowles (18th century)
'The Church of St Mary le Bow in Cheapside, London'
coloured engraving, published by Bowles & Carter and Laurie & Whittle
plate 25.5 x 42 cm (10 x 16 1/2 in)
Estimate: 70-100
206. John Fougeron (18th century), after P. Brookes
'A View of the Rt. Hon'ble the Earl of Burlington's House at Chiswick, and part of the Town'
engraving, published 1750 by J. Boydell
plate 28 x 45 cm (11 x 17 3/4 in)
Estimate: 70-100
207. After Jack Butler Yeats RHA (1871-1957)
'Stone walls do not a prison make'; and
'Nor Iron Bars a cage'
two coloured lithographs, published 1901 by C. E. Clifford & Co, London
each 15 x 59 cm (6 x 23 in)
Estimate: 200-300
208. John Speede, Surrey Described and Divided into Hundreds, 17th century uncoloured map, with text verso, 38 x 51 cm (15 x 20 in)
Estimate: 70-100
209. David Loggan (d. 1693)
'Collegium B: Mariae Magdalenae'
engraving, with text below
31 x 41 cm (12 x 16 in)
together with an engraving by Michael Angelo Rooker, 'Magdalen College from the North Side of the First Quadrangle'
Estimate: 80-120
210. George Edwards (1694-1773)
Six coloured etchings, probably from History of Birds, c. 1745-1760
each 24 x 19 cm (9 1/2 x 7 1/2 in)
Estimate: 150-250
211. George Edwards (1694-1773)
Six coloured etchings, probably from History of Birds, c. 1745-1760
each 24 x 19 cm (9 1/2 x 7 1/2 in)
Estimate: 150-250
212. George Edwards (1694-1773)
Six coloured etchings, probably from History of Birds, c. 1745-1760
each 24 x 19 cm (9 1/2 x 7 1/2 in)
Estimate: 150-250
213. T. W. Huffam and James Mackrell, after J. F. Herring, senior
'Fox Hunting' -'The Meet', 'The Find', 'Full Cry' and 'The Death'
four coloured aquatints, two engraved by Huffam, two by Mackrell
published 1846 by Baily Brothers, London
plate size 66 x 83 cm (26 x 32 1/2 in)
Estimate: 300-500
214. A. Cardinal (Italian, 19th century),
Santa Maria della Salute from the Giudecca, Venice
watercolour, signed and inscribed lower right
31 x 101 cm (12 x 39 1/2 in)
Estimate: 70-100
215. Otto Theodore Leyde RSA RSW (1835-1897)
Portrait of a bearded gentleman
coloured chalks and watercolour, signed lower left
oval, 42 x 34 cm (16 1/2 x 13 1/2 in)
Estimate: 120-180
216. Valentine Thomas Garland (1864-1914)
Cattle in a pasture above cliffs
watercolour, signed lower right
18 x 32 cm (7 x 12 1/2 in)
Estimate: 100-150
217. Renato Paresce (Rene Herbert Paresce, Swiss/Italian, 1886-1937)
Still life with a cactus, pears and an urn
gouache, signed and dated '31 lower left
30 x 22 cm (11 1/2 x 8 1/2 in)
Estimate: 800-1200
218. Attributed to Giacinto Gianni (1837-?)
Study of a man, bearded, wearing a hat
watercolour, signed 'Gianni' lower right
27 x 19 cm (10 1/2 x 7 1/2 in)
Estimate: 100-150
219. Continental school, 18th century
A design, probably for stained glass, incorporating a bishop and a female figure
pen and brown ink, with additions in red ink and annotations in pencil
46 x 37 cm (18 x 14 1/2 in), unframed
Estimate: 200-300
220. English school, mid-19th century
Four drawings associated with Sir Edwin Landseer, including studies of 'The Otter Speared' and 'Shoeing' copied at the Royal Academy in 1844, drawings of Scottish houses and one entitled 'Finding the shot bird - Blackcock'
pen and brown ink, variously inscribed and one dated '45
10.5 x 18.5 cm (4 x 7 1/4 in) and smaller, unframed
together with a Hogarth style pen and ink drawing entitled 'Irish Reform'
Estimate: 70-100
221. John Baptist Malchair (1731-1812)
The Abbey Gate, Chester, 1791
pencil and grey wash, inscribed verso
36 x 46 cm (14 x 18 in), unframed
Estimate: 150-250
222. English school, late 18th/early 19th century
'The Entrance to Hever castle, Kent'
pencil, indistinctly signed and dated in ink lower left, inscribed as title and inscribed again verso
47 x 33 cm (18 1/2 x 13 in), unframed
together with a number of other mainly 19th century drawings and watercolours, including landscapes, figure studies, etc, various media and sizes, unframed (approximately 50 in all)
Estimate: 150-250
223. Attributed to Albert-Ernest Carrier-Belleuse (French, 1824-1887)
Study for a classical statue
pencil heightened with white against an ochre background on grey card
signed or inscribed lower right
26 x 10 cm (10 1/4 x 4 in), unframed
Estimate: 100-150
224. Attributed to Francois Perrier (French, called 'le Bourguignon', 1584 or 1590-1650))
Seven characters from Terence's The Eunuch
grey wash and brown ink
signed or inscribed lower centre, inscribed with characters' names above and stamped with collector's mark verso of a star and 'E.L.' in an oval
11. 5 x 21 cm (4 1/2 x 8 1/4 in), unframed
Estimate: 200-300
225. Attributed to Hercules Brabazon Brabazon NEAC (1821-1906)
Study of an altarpiece or reredos
pencil and watercolour, indistinctly inscribed across the top
23 x 27 cm (9 x 10 1/2 in), unframed
together with a landscape study attributed to Philip Wilson Steer and another by an unknown hand, various media and sizes, unframed
Estimate: 120-180
226. Mary Kessell (1914-1976)
Two abstract figure studies
brown chalk or gouache
each 24 x 15 cm (9 1/2 x 6 in), unframed
together with three nude studies by Charles Kingsley Sutton, two by Bernard Casson and a study for a medallion in the style of Eric Gill, various media and sizes, unframed
Estimate: 120-180
227. Edmund Joseph Sullivan (1869-1933)
Approximately 20 studies for illustrations and caricatures
some pen and ink, others pencil
the sheets 31 x 19 cm (12 x 7 1/2 in), unframed
together with four landscape studies by Adrian Bury, two attributed to Charles Ginner and one by Diana White, various media and sizes, unframed
Estimate: 80-120
228. William Gear (1915-1997)
Abstract design
watercolour, signed 'Gear' and dated '58 lower right
29 x 20 cm (11 1/2 x 8 in), unframed
Estimate: 150-250
229. Werner van Hoylandt (Belgian, b. 1951)
A railway line with overhead power lines
watercolour, signed and dated '72 lower right
34 x 49 cm (13 1/2 x 19 in) Estimate: 120-180
230. Dumile Feni-Mhlaba (Zwelidumile Mxgazi, South African, 1942-1991)
Figures in a laundry
pen and ink
signed or inscribed 'Dumile' and dated 1966 in pencil lower right (over-mounted)
28 x 19 cm (11 x 7 1/2 in)
Estimate: 150-250
231. Evelyn Cheston (nee Evelyn Davy, 1875-1929)
A view of Dover and the castle
pencil and watercolour
24 x 34 cm (9 1/2 x 13 in)
Provenance: Abbott & Holder, London
Estimate: 200-300
232. Marcel Gromaire (French, 1892-1971)
Study of a seated woman
pen and ink, signed lower right
39 x 29 cm (15 x 11 1/2 in)
Estimate: 200-300
233. Continental school, early 20th century
A cloaked figure standing on a plinth
pencil, with signature or inscription 'A. Derain' lower right
43 x 32 cm (17 x 12 1/2 in)
Estimate: 100-150
234. Attributed to Otto Dix (German, 1891-1969)
Study of an old lady
black chalk and wash, signed lower right
28 x 21 cm (11 x 8 1/4 in), unframed
Estimate: 500-700
235. English school, 19th century
Two conversation pieces, each depicting a husband and wife sitting by a window with a landscape beyond
watercolours, one heightened with white and with gold paint, in black papier mache frames stamped for W. Hill & Co., Birmingham
each 31 x 35 cm (12 x 16 in)
Estimate: 400-600
236. Thomas Collier RI (1840-1891)
A cart and figures in a moorland landscape, mountains beyond
watercolour, signed lower left, with label for Thos. Agnew & Sons, Manchester
35 x 52 cm (13 1/2 x 20 1/2 in)
Estimate: 250-350
237. Josiah Gilbert (1814-1892)
Portrait of a young boy, half length
coloured chalks, signed and dated 1867 lower right
oval, 30 x 25 cm (12 x 9 1/2 in)
Estimate: 70-100
238. William Roxby Beverly (1811-1889)
Studies of sailing boats
pencil and watercolour
19 x 27 cm (7 1/2 x 10 1/2 in)
Provenance: the Emanuel family (Frank Emanuel was the author of an article on Beverly in Walker's Quarterly, No. 2, January 1921)
Estimate: 80-120
239. *** Gatti, (Italian, 19th century)
Three figures sorting fish on a beach
gouache, signed 'Gatti' centre left (under the mount)
oval, 31 x 25 cm (12 1/2 x 10 in)
Estimate: 150-250
240. English school, late 19th/early 20th century
An extensive view over a bay, possibly Gibraltar
watercolour and bodycolour
44 x 66 cm (17 x 26 in), unframed
Estimate: 60-80
241. English school, 19th century
Figures by a temple at Paestum, Italy
watercolour
23 x 38 cm (9 x 15 in), unframed
Note: An attribution to Nathaniel Everett Green (d. 1899) has been suggested
Estimate: 200-300
242. John Varley OWS (1778-1842)
Landscape study
black chalk and ochre wash
19 x 20 cm (7 1/2 x 8 in), unframed
Estimate: 100-150
243. English school, early 19th century
Five studies of cottages, one with a mother and child outside
grey wash, on original washline mounts
14 x 20 cm (5 1/2 x 8 in) and smaller, unframed
Estimate: 80-120
244. Mary Martin (nee Mary Buckle, early 19th century)
Ten views in North Wales
blue and grey washes over pencil, each inscribed verso and dated between 1812 and 1820
19 x 30 cm (7 1/2 x 12 in) and smaller, unframed
Estimate: 100-150
245. English school, late 18th/early 19th century
A fisherman on the bank of a lake, a fortified bridge beyond
watercolour, indistinctly signed or inscribed lower left, extensively inscribed verso and with studies of Llandrillo-yn-Rhos Church, North Wales, possibly by Ellis Price, 1847
18 x 24 cm (7 x 9 1/2 in), unframed
together with an unframed study in blue and grey washes of a tree in a mountainous landscape
Estimate: 100-150
246. Edwin Earp (working about 1900)
A view on a Scottish loch
watercolour, signed lower left
41 x 64 cm (16 x 25 in)
Estimate: 150-250
247. Follower of Adam Buck (1759-1833)
Three children, one hiding her face from the others
watercolour
oval, 20 x 29 cm (8 x 11 1/2 in)
Estimate: 250-350
248. George Leslie Hunter (Scottish, 1879-1931)
The Harbour, Largo, Scotland, c. 1923
pen and ink
20 x 30 cm (8 x 10 in)
Provenance: Dr T. J. Honeyman; Christie's Scottish sale, 28th October 2004, lot 250
Estimate: 600-800
249. English school, 19th century
A miniature portrait of a gentleman in profile
watercolour
7.5 x 6.5 cm (3 x 2 1/2 in)
Ornate gilt frame
Estimate: 70-100
250. English school, 19th century
A miniature portrait of a gentleman wearing a grey coat with a black collar
watercolour
oval, 6.5 x 5 cm (2 1/2 x 2 in), in an ebonised frame
Estimate: 80-120
251. Charles-Jean Agard (French, 1866-1950)
Farm buildings among trees
pencil, signed lower left
11 x 15 cm (4 1/2 x 6 in)
Estimate: 70-100
252. English school, 20th century
A ship steaming away from a Mediterranean port
watercolour, indistinctly signed ('Christopher ...') and inscribed (probably 'off Taranto')
24 x 29 cm (9 1/2 x 11 1/2 in)
together with a watercolour of a river landscape by Henry Peach (fl. 1894-1928) and another of a farm in an autumnal landscape signed 'D.S.'
Estimate: 80-120
253. Alfred Palmer ROI (1877-1951)
The Corn Mill, Tunis
coloured chalks on buff paper, signed lower left
30 x 23 cm (12 x 9 in)
Provenance: Newburgh Street Gallery, London
Estimate: 100-150
254. C. M. Hart (early 20th century)
A rocky beach in the mist, with sea birds; and another, its pair
watercolours heightened with white, both signed lower left
each 17 x 25 cm (6 3/4 x 9 3/4 in)
Estimate: 70-100
255. C. M. Hart (early 20th century)
A misty moor with the sea beyond; and another, its pair
watercolours, both signed lower left
each 25 x 35 cm (9 1/2 x 13 1/2 in)
Estimate: 80-120
256. English school, late 18th/early 19th century
A rustic family cooking at a fire in a wood
watercolour and bodycolour, with pen and ink and white heightening
19 x 31 cm (7 1/2 x 12 1/2 in)
Estimate: 150-250
257. Follower of Thomas Rowlandson (1756-1827)
A faun, a judge and numerous figures watching a young man with his back to them
pen and ink and watercolour
circular, 22 cm (8 3/4 in) diameter
Estimate: 200-300
258. Circle of the Rev. William Gilpin (1724-1804)
Figures crossing a bridge
brush and wash, with touches of colour, on buff paper
20 x 32 cm (8 x 12 1/2 in)
Estimate: 150-250
259. European school, 19th century
Flowers in an urn on a stone mantelpiece
watercolour and bodycolour
63 x 49 cm (24 1/2 x 19 in)
Estimate: 150-250
260. John Merrett (20th century)
'Droumea Farm, Co. Cork'
watercolour and bodycolour, signed lower left
37 x 53 cm (14 1/2 x 21 in)
Estimate: 150-250
261. G. Crisp (19th century)
Flower study, with caterpillars, butterflies and other insects; and another with budgerigars
a pair of watercolours
one signed, the other with label verso for A. W. Crisp & Co, Heraldic Artists, Cambridge
each 41 x 28 cm (16 x 11 in)
Estimate: 150-250
262. English school, late 19th/early 19th century
A young girl in a landscape
black chalk and ink
oval, 26 x 21 cm (10 x 8 1/4 in)
Estimate: 80-120
263. Charles Whymper RI (1853-1941)
'Stukely Farm, Huntingdonshire'
watercolour heightened with bodycolour, signed with initials and inscribed lower right
24 x 34 cm (9 1/2 x 13 in)
Estimate: 150-250
264. Charles Whymper RI (1853-1941)
'The Ouse, Huntingdon'
watercolour heightened with bodycolour, signed with initials and inscribed lower left
24 x 34 cm (9 1/2 x 13 in)
Estimate: 150-250
265. Violet Thorpe Lindsell (fl. 1912-1927)
A summer garden
watercolour, signed lower centre
25 x 35 cm (10 x 13 1/2 in), unframed
Estimate: 120-180
266. Robert W. Milliken (b. 1920)
'Over the peat hag - Grouse'
watercolour, signed and dated '74 lower right
22 x 32 cm (8 1/2 x 12 1/2 in)
Provenance: The McDonald Booth Gallery, London
Estimate: 150-250
267. Frederick R. Fitzgerald (fl. 1897-1938)
Santa Maria della Salute, Venice
watercolour, signed lower left
14 x 18 cm (5 1/2 x 7 in), unframed
together with an unframed watercolour of a highland scene by E.P., dated 1927
Estimate: 150-250
268. R*** P*** (late 19th century, possibly Ralph Peacock, 1868-1946)
An illustration for an unknown novel, featuring the characters Saltendorf (?) and Melchizedek
watercolour heightened with bodycolour
signed 'RP' lower right and with inscription from the novel verso
arched top, 33 x 24 cm (13 x 9 1/2 in)
Estimate: 150-250
269. John Macpherson (19th century)
Beach scene with figures, boats and cottages
watercolour, signed and dated 1873 lower left
24 x 34 cm (9 1/2 x 13 1/2 in)
Estimate: 120-180
270. Dr Thomas Monro (1759-1833)
A cliff top, possibly on the Isle of Wight
black chalk and grey wash
7.5 x 16 cm (3 x 6 1/4 in), unframed
Estimate: 70-100
271. R*** W*** (late 19th century)
Sailing boats on a beach with a group of figures in the distance
watercolour heightened with whire, signed with initials and dated 1878 lower right
20 x 31 cm (8 x 12 1/2 in), unframed
Estimate: 100-150
272. Nicholas Pocock OWS (1740-1821)
'Bangor Ferry looking westward'
watercolour, numbered 14 lower left
15 x 23 cm (6 x 9 in)
Provenance: the artist's family; Heather Newman, Gloucestershire, 1982
Estimate: 150-250
273. John Varley OWS (1778-1842)
Figures and sheep by a lake in a mountainous landscape
sepia wash
6 x 9 cm (2 1/2 x 3 1/2 in)
Provenance: Heather Newman, Gloucestershire, 1997 Estimate: 150-250
274. W** S** (19th century)
'Weston Mill'
watercolour heightened with white, signed in monogram and dated 1870 lower right
9 x 13 cm (3 1/2 x 5 in)
Provenance: an album of Warwickshire views
Estimate: 70-100
275. George F. Glennie (fl. 1861-1882)
A view at Barmouth, North Wales
watercolour, signed lower left
10 x 17 cm (4 x 6 3/4 in)
Estimate: 70-100
276. Charles John Watson (1846-1927)
A road approaching a village, possibly in France
watercolour
24 x 16 cm (9 1/2 x 6 in)
Provenance: the artist's studio sale; private collection; Heather Newman, Gloucestershire
Estimate: 100-150
277. Conrad H. R. Corelli (1869-1956)
Landscape with cherry trees, possibly in Japan
watercolour
17 x 25 cm (6 1/2 x 10 in)
Estimate: 100-150
278. William Collingwood RWS (1819-1903)
'From Bulle to Vevey'
watercolour, with another Alpine view verso
7 x 9.5 cm (2 3/4 x 3 3/4 in)
Provenance: Sanders of Oxford, 1979
together with a grey wash drawing by Henry Stapylton Bree of 'Emerald' in the Vale of Newlands, Cumberland (ex Heather Newman)
Estimate: 70-100
279. C. Emanuel (20th century)
Christ Church Backs
black chalk, signed lower right and inscribed on backing
11.5 x 24 cm (4 1/2 x 9 1/2 in).
Provenance: Studio One Gallery, Oxford, 1976
Estimate: 70-100
280. Wilfred Williams Ball (1853-1917)
Figures in a lane by a cottage
watercolour, signed lower left
18 x 26 cm (7 x 10 in)
Provenance: Barry M. Keene Gallery, Henley-on-Thames, 1978
Estimate: 150-250
281. Rowland Henry Hill (1873-1952)
'Runswick Cottages'
black chalk and watercolour, signed and dated 1931 lower left
18 x 26 cm (7 x 10 in)
Provenance: Phillips & Sons, Marlow, 1981
Estimate: 800-1200
282. James William Booth RCA (1867-1953)
Cloughton village, North Yorkshire
watercolour, signed lower right
25 x 36 cm (10 x 14 in)
Provenance: Studio One Gallery, Oxford, 1977
Estimate: 150-250
283. James William Booth RCA (1867-1953)
Ganton village
watercolour, signed lower right
22 x 38 cm (8 1/2 x 15 in)
Provenance: Studio One Gallery, Oxford, 1978
Estimate: 150-250
284. Francis Russell Flint (1915-1977)
'Early morning, Le Lavandou - June 1951'
watercolour, signed lower right
28 x 37 cm (11 x 14 1/2 in)
Provenance: Studio One Gallery, Oxford, 1978
Estimate: 200-300
285. Sir Frank Short RA (1857--1945)
Pegwell Bay, Ramsgate
watercolour, signed lower right
19 x 26 cm (7 1/2 x 10 in)
Provenance: Studio One Gallery, Oxford, 1983
Estimate: 70-100
286. Edward Angelo Goodall RWS (1819-1908)
Sailing barges at Venice
watercolour, with blind studio stamp lower right
28 x 47 cm (11 x 18 1/2 in)
Provenance: Heather Newman, Gloucestershire, 1993
Estimate: 400-600
287. Samuel John Lamorna Birch RA RWS (1869-1955)
The Crinnan Canal, Argyllshire
watercolour, signed and feintly inscribed lower left
26 x 39 cm (10 x 15 in)
Provenance: Studio One Gallery, Oxford, 1977
Estimate: 300-500
288. Robert Thorne Waite RWS (1842-1935)
Landscape with corn stooks
watercolour
27 x 46 cm (10 1/2 x 18 in)
Provenance: Arnold Thorne Waite; Professor Sir David Smithers; Studio One Gallery, Oxford, 1980
Estimate: 200-300
289. David Bates (1840-1921)
Figures and cattle approaching a farm
watercolour, signed and dated 1905 lower right
35 x 52 cm (13 1/2 x 20 1/2 in)
Provenance: Heather Newman, Gloucestershire, 1986
Estimate: 400-600
290. English school, 19th century
A cottage with a tiled roof
pencil and watercolour
11 x 14 cm (4 1/4 x 5 1/2 in)
Estimate: 70-100
291. English school, 19th century
A view on the River Towy, South Wales
watercolour, inscribed 'From Morriston on Towy, Sept 1848'
12 x 17 cm (4 3/4 x 6 1/2 in)
Estimate: 100-150
292. George 'Sidney' Shepherd NWS (1784-1862)
Figures outside a hovel
watercolour heightened with bodycolour
inscribed 'Birmingham Railway', signed and dated 1834 on old backing
11.5 x 15 cm (4 1/2 x 6 in)
Estimate: 150-250
293. English school, 20th century
'Barn and trees - winter'
black chalk with scratching out
dated 18 Nov 1963, indistinctly inscribed and possibly signed
22 x 30 cm (8 1/2 x 12 in)
Estimate: 70-100
294. Alexander Molyneux Stannard (1878-1975)
A cottage in a winter landscape
watercolour, signed and indistinctly dated (possibly 1898) lower left
36 x 62 cm (14 x 24 in)
Estimate: 400-600
295. Thomas Sunderland (1744-1828)
A view in a mountainous landscape, with figures and cattle in the foreground
pen and ink with grey and blue washes over pencil, on washline mount
24 x 33 cm (9 1/2 x 13 in), unframed
Estimate: 150-250
296. M. B*** (early 20th century)
Study of a young woman's head
oil on board, indistinctly signed lower left, with a similar study of a man's head verso
34 x 24 cm (13 1/2 x 9 1/2 in)
Estimate: 80-120
297. Edith Hughes (fl. 1910-1960)
Portrait of a gentleman, half length, seated wearing a black arm band
oil on canvas, signed in monogram and dated 1915 lower left, inscribed verso
50 x 40 cm (19 1/2 x 15 1/2 in)
Note: the artist studied under Harold Gilman and Walter Sickert
Estimate: 200-300
298. Faith Sheppard RGI (b. 1920)
'Pont du Cheval, Bruges'
oil on board, signed lower right
45 x 68 cm (17 1/2 x 26 1/2 in)
Estimate: 150-250
299. French school, late 18th/early 19th century
The Emperor Claudius
oil on canvas laid on panel
57 x 45 cm (22 1/2 x 17 1/2 in)
Estimate: 800-1200
300. English school, 18th century
Portrait of a gentleman
oil on canvas
72 x 61 cm (28 x 23 1/2 in)
Estimate: 300-500
301. European school, 19th century
Portrait of a gentleman
oil on canvas laid on board
49 x 42 cm (19 1/2 x 16 1/2 in)
Estimate: 200-300
302. French school, 17th century
St. John the Evangelist, asleep, a city in the background
oil on panel (in three sections)
46 x 33 cm (18 x 13 in)
Estimate: 300-500
303. Jean-Baptiste Scoriel (Belgian, 1883-1956)
Portrait of a man
oil on canvas, signed, inscribed and dated 1921 upper right
55 x 46 cm (21 1/2 x 18 in), unframed
Estimate: 80-120
304. Servais Detilleux (Belgian, 1874-1940)
Study of a young woman, half length
oil on canvas, signed lower right
37 x 26 cm (14 1/2 x 10 1/4 in), unframed
Estimate: 80-120
305. Friedrich Wilhelm Keyl (German, 1823-1871)
A ewe and a lamb
oil on board, signed, inscribed and dated 9 July 1861 verso
10 x 15.5 cm (4 x 6 1/4 in), unframed
Estimate: 100-150
306. French school, early 20th century
A lady seated, holding a letter, probably a study for a portrait
oil on panel, signed 'AS' with incised initials lower right
40 x 32 cm (15 1/2 x 12 1/2 in)
Estimate: 200-300
307. E. Coleman (probably Edward Coleman, fl. 1813-1848, d. 1867)
Portrait of John Eccles M.D., physician to Birmingham Hospital, 1833-1858
oil on canvas
140 x 109 cm (55 x 43 in)
Estimate: 800-1200
308. English school, late 20th century
The sun setting over a beach at low tide
oil on paper or board
36 x 35 cm (14 x 13 1/2 in)
Estimate: 70-100
309. W. Fisher (early 19th century)
A horse and groom outside a stable
oil on canvas, signed and dated 1835 (?) lower right
54 x 67 cm (21 x 26 1/2 in)
Estimate: 1000-1500
310. Garnet Ruskin Wolseley (1884-1967)
Portrait of a young lady, wearing a white dress and a red shawl
oil on canvas
signed lower right, with remnants of label on frame for an unidentified Anglo-German Exhibition
121 x 91 cm (47 1/2 x 35 1/2 in)
Estimate: 1500-2000
311. Studio of Miguel Canals (1925-1995), after Gustave Caillebotte
Snow-covered rooftops ('Vue de toits, effet de neige')
oil on canvas, with signature lower right
48 x 58 cm (19 x 23 in)
The original, painted in 1878, is in the Musee d'Orsay, Paris
Estimate: 200-300
312. Florence Humphrey (Mrs C. T. Holland, fl. 1905-40)
Three women on a terrace, probably in North Africa
oil on board, signed 'F. Humphrey Holland' lower right
39 x 29 cm (15 1/2 x 11 1/2 in)
Estimate: 80-120
313. W. A. Clark or F. A. Clark (early 20th century)
Two shire horses being startled by the arrival of a hunt
oil on canvas, indistinctly signed and dated 1901 lower right
69 x 90 cm (27 x 35 1/2 in)
Estimate: 700-1000
314. Greek-Cypriot school, mid-20th century
'Cyprus chair'
oil on board, inscribed, signed in Greek and dated '54 on label verso, and with a dedication to R. Crossman MP, May 1956
76 x 29 cm (30 x 11 1/2 in)
Estimate: 70-100
315. English school, 19th century
Portrait of a gentleman, seated with his dog at his side
oil on canvas
47 x 39 cm (18 1/2 x 15 1/2 in)
Estimate: 150-250
316. George Willis Pryce (late 19th/early 20th century)
A view of Chee Tor, Derbyshire, and another view in the Peak District
a pair, oil on canvas, both signed and with labels verso
each 20 x 30 cm (8 x 12 in)
Estimate: 100-150
317. Alfred de Breanski, senior (1852-1928)
A view of Derwentwater
oil on canvas, signed lower right
60 x 90 cm (23 1/2 x 35 1/2 in)
Estimate: 4000-6000
318. Attributed to Edward Charles Williams (1807-1881)
Two children fishing in a wooded landscape
oil on board, signed with initials lower right
35 x 60 cm (13 1/2 x 23 1/2 in)
Estimate: 1200-1800
319. John William Howey (1873-1938)
'Autumn, Castle Eaton, Wiltshire'
oil on board, signed lower right and inscribed verso
24 x 29 cm (9 1/2 x 11 1/2 in)
Estimate: 200-300
320. William Hemsley RBA (b. 1819, fl. 1848-1893)
A boy writing a letter, watched by his sister
oil on board, signed or inscribed verso
16 x 19.5 cm (6 1/4 x 7 3/4 in)
Estimate: 250-350
321. William Hemsley RBA (b. 1819, fl. 1848-1893)
A boy playing a jew's harp, watched by another boy
oil on board, signed or inscribed verso
16 x 19.5 cm (6 1/4 x 7 3/4 in)
Estimate: 250-350
322. Follower of Rembrandt Harmensz. van Rijn (1606-1669)
Portrait of Rembrandt's son Titus (1641-1668)
oil on canvas
71 x 57 cm (28 x 22 1/2 in)
Another version of this work (measuring 72 x 56 cm), with a doubtful attribution to Rembrandt, is in the Louvre. It had been in the Hermitage, St. Petersburg, since 1784 and was sold by the Soviet government in 1930.
Estimate: 1200-1800
323. Edward S. Hodgson (fl. 1920s)
A rocky shore with sailing boats
oil on canvas, signed lower left
17 x 22 cm (6 1/2 x 8 1/2 in)
Estimate: 100-150
324. Dugald Stark (b. 1957)
A view between Ashenden and Wootton Underwood, Buckinghamshire
oil on canvas, signed lower right
40 x 50 cm (16 x 19 1/2 in)
Estimate: 100-150
325. *** Waterfield (20th century)
'Dale Farm'
oil on canvas, signed lower right
40 x 50 cm (15 1/2 x 19 1/2 in)
Estimate: 60-80
326. Continental school, 19th century
Landscape with a figure driving sheep and goats
oil on plywood
34 x 53 cm (13 1/2 x 20 1/2 in)
Estimate: 600-800
327. G. Harrison (19th century)
Cattle watering beneath pollarded trees
oil on canvas, signed lower left
44 x 60 cm (17 x 23 1/2 in)
Estimate: 150-250
328. A pair of late 19th century ormolu candlesticks, acanthus leaf and floral decoration, with removable sconces on load circular platform bases, 13cm (5in) high
Estimate: 60-80
329. A pair of French Gothic gilt brass ecclesiastical pricket altar candlesticks, decorated with lancet arch panels and Christ standing with the sacred heart, raised on scroll feet, 55cm (21 1/2in) high
Estimate: 200-250
330. A gilt brass ecclesiastical adjustable book rest, the pierced diaper body with relief panels depicting stations of the cross, raised on leafy lion's paw supports, 30cm (12in) square
Estimate: 150-200
331. A pair of 18th century brass petal base candlesticks, 21cm (8 1/4in) high
Estimate: 60-80
332. A large Victorian Gothic wrought iron jardiniere, with an associated copper bowl
Estimate: 150-200
333. A collection of graduated brass and bell metal weights, from 2oz to 14lb
Estimate: 80-120
334. A French Empire gilt bronze two branch bouillotte lamp, with adjustable tole ware oval shade over a dished base, now fitted for electricity, 28cm (11in) wide
Estimate: 300-350
335. A Victorian reverse painted on glass oil lamp, with enamel decoration, fitted a Hinks Duplex burner, 48cm (19in) high
Estimate: 150-200
336. A 20th century glass six branch electrolier, with facet cut prism swags and wrythen arms, 54cm (21in) high
Estimate: 100-150
337. An early 19th century gilt bronze balance scale, and weights, 40cm (16in) high
Estimate: 70-100
338. An Art Deco splatter glass ceiling suspension light shade, orange and yellow ground, with carved peacock design, 39cm (15 1/2in) diameter
Estimate: 80-120
339. A Victorian yellow metal mounted malacca shafted gentleman's walking cane, with ivory 'T' handle, bearing a silver presentation plaque with the legend 'From Hon'ble C. H. Cust 1865', housed in black japanned travel tin, the cane 92cm (36in) long
Estimate: 100-150
340. A Bambara carved wood mask, with high standing ears, 46cm (18in) high
Estimate: 50-70
341. An early Idoma carved wood seated figure, 33cm (13in) high, together with a carved wood Mende figure, dark brown patina, 37cm (14 1/2in) high (2)
Estimate: 50-70
342. A large Baule carved wood standing figure, of a naked woman with her hair in plaits, 52cm (20 1/2in) high, together with a small Baule (Ivory Coast) figure, a Dogan figure with arms upstretched and a large carved wood Lobi standing figure, 61cm (24in) high (4)
Estimate: 80-120
343. A Chinese soapstone seal, carved Dog of Fo finial, character marks to front of slab, 14cm (5 1/2in) high
Estimate: 50-70
344. A Chinese bronze vessel of archaic form, waisted stem with separated handles, 11.5cm (4 1/2in) high
Estimate: 100-150
345. A Chinese bronze censer, bun form patinated bowl, raised on three supports, 9cm (3 1/2in) high
Estimate: 60-80
346. A Victorian Tunbridge ware box, 13cm (5in) wide, containing a quantity of mother of pearl gaming counters
Estimate: 50-70
347. An Indian turned white marble vase of squat form, with slender tapering neck, 27cm )10 1/2in) high
Estimate: 60-80
348. A Chinese jade pendant, with carved scroll work decoration, 14cm (5 1/2in) wide, together with one other carved jade pendant with skull design
Estimate: 60-80
349. An Indian carved bone figure of a seated woman with infant, 5.5cm (2 1/4in) high, together with an embossed white metal hawking bonnet bearing bird in flight finial mounted with bells
Estimate: 60-80
350. A Tibetan white metal mounted copper tea pot, waisted form with strap work handle, the domed cover with chain connection, 23cm (9in) high
Estimate: 50-70
351. A Victorian lignum vitae sailor's fid, 34cm (13 1/4in)
Estimate: 50-70
352. An African carved wood head rest, zoomorphic double ended animal form, 31cm (12in) long
Estimate: 50-70
353. Four rubber Surinam models, of a boy climbing a palm tree, 19cm (7 1/2in) high, a woman carrying a water jar on her head, a man beating a drum and woman seated outside a palm leaf shelter, 11cm (4 1/4in) high
Estimate: 50-70
354. A collection of nine fish spear heads, and a Chinese bamboo small fishing rod with open reel, 62cm (24 12in) long
Estimate: 50-70
355. An album of 19th century Chinese paintings on rice paper, includes Western (South American) images
Estimate: 50-70
356. A cast spelter Blackamoor tobacconist's counter figure, painted finish, with permanent flame cigar in his mouth, c.1900, 43cm (17in) high
Estimate: 80-120
357. A pair of reverse painted intaglio cuff links, depicting a polo player to one side and a bust profile of a horse to the other
Estimate: 200-300
358. A probably Palais Royale ivory lady's needlework necessaire or needlework case, with gilt metal tools, inscribed, 'EEB from sixteen grandchildren', 11cm (4 1/4in)
Estimate: 80-150
359. A collection of approximately 85 late 19th and early 20th century studio portrait photographs of European royal families, members of the French aristocracy and other unidentified sitters, the royal families including Great Britain (9), Russia (2), Germany (3), Spain (6), Portugal (4), France (3), Belgium (1), together with a number of postcards and smaller photographs of similar subjects, the portraits mostly 17 x 11 cm (6 1/2 x 4 1/4 in), and a letter from Helene, Duchesse d'Aosta, dated 1 July 1895
Provenance: a French noble family
Estimate: 350-450
360. A c.1900 French rococo gilt bronze encrier, with griffin and angel surmounts, fitted a pair of urn inkwells, bearing an indistinct inscription and date, 35cm (13 1/2in) wide
Estimate: 80-120
361. A late 19th century patinated French bronze encrier, with neo-classical urn and cherub motif, with central boss emblematic of literary trophies, fitted a pair of urn inkwells, 29cm (11 1/4in) wide
Estimate: 80-100
362. A French Napoleon III brass inlaid ebonised glove box, the slightly domed top with vacant oval cartouche, the interior veneered in rosewood, 29cm (11 1/2in) long
Estimate: 70-100
363. A pair of 19th century Chinese carved bamboo brush pots, decorated with boats in landscape, 36cm (14 1/4 in) high
Estimate: 60-80
364. A Chinese archaic bronze mount, in the form of the head of a phoenix, 17cm (6 3/4in)
Estimate: 70-100
365. A Roman terracotta pot bellied urn, with moulded Romanesque decoration, with everted rim, 30cm (12in) diameter
Estimate: 100-150
366. A Polynesian hardwood paddle, bearing the painted inscription 'Missionary Ship, John Williams', 89cm (35 1/2in). John Williams was a Christian missionary in and around the Polynesian islands until he was consumed by reluctant converts
Estimate: 100-150
367. A 19th century Spanish or Spanish colonial walking cane, with carved and polychrome decoration, includes bull fighting scenes, 93cm (36 1/2in)
Estimate: 60-80
368. Two sets of equine decorated studs or dress buttons, one set with a sepia study of a different horse on each stud
Estimate: 60-80
369. W. & D. Downey (photographers), A studio portrait of Queen Victoria in old age, with the subject's signature on a separate slip attached to the mount, 38 x 30 cm (15 x 12 in), together with a portrait by the same studio of King Edward VII, with facsimile signature
Estimate: 70-100
370. A probably Chinese red ware circular saddle flask, with loop handles with rouletted decoration, 20cm (8in) diameter
Estimate: 80-100
371. A 10th or 11th century Islamic fritware oil lamp, another with turquoise glaze and one other eastern spouted vessel, 18cm (7in) the largest
Estimate: 80-100
372. A probably Qianlong Chinese carved amber snuff dish, in the form of a lily pad with a perched water fowl, 5cm (2in) diameter
Estimate: 80-120
373. A Victorian brass banded walnut travelling vanity box, by Toulmin and Cale, London, the hinged lid opens to reveal mirror inset and a fitted tray of silver plated glass appointments, brass buttons trigger two concealed outer drawers, 30cm (12in) wide
Estimate: 200-300
374. An Edwardian optometrist's eye testing kit, together with extra lenses, some with silver and some with brass bezels
Estimate: 150-200
375. A Victorian wax headed doll, with inset blue glass eyes and blonde hair, clothed in hand made attire, with lace trim and leather boots, 41cm (16 1/2in) long
Estimate: 70-100
376. A Victorian wax headed doll, with lidded blue glass eyes and strawberry blonde hair, clothed in hand made attire, with silk bonnet and oil cloth pumps, 70cm (28in) high
Estimate: 80-120
377. An early 20th century German porcelain headed doll, with open mouth and sleeping eyes and strawberry blond hair, marked on the nape of neck 'S H', possibly Simon & Halbig, 47cm (18 1/2in)
Estimate: 80-100
378. An early 20th century German Armand Marseille No. 390 porcelain headed doll, with open mouth, sleeping eyes and brown hair, marked on the nape of the neck, 61cm (24in) wide
Estimate: 80-100
379. Football interest - a 9ct gold and enamel medal, the central shield-shaped enamel plaque depicting a footballer kicking a ball, Birmingham 1923, an enamelled American badge from the New York Soccer League dated 1929/30 and a Glasgow Rangers woven blazer badge
Estimate: 80-120
380. A chromium plate and bronze horse's head car mascot, 13cm (5in) high
Estimate: 70-100
381. A 19th century figured mahogany hinge lidded decanter box with fitted interior, bearing an inscription to a brass plaque, 'Captain J S Clarke RN', 28cm (11in) wide
Estimate: 100-120
383. A George III figural kingwood two section tea caddy with canted corners, (8in)
Estimate: 100-150
384. An early Victorian mahogany rotating circular lazy susan, 33cm (13in) diameter
Estimate: 80-100
385. A vintage snake wood long bow, 200cm (79in)
Estimate: 70-100
386. Two traditional yew wood long bows, 196cm (77in)
Estimate: 60-100
387. A 19th century French king wood and tulip wood serpentine fronted perfume casket, the quartered top with inlaid brass cartouche, the interior silk lined and fitted with three parcel gilt bottles and stoppers, 14cm (5in) wide
Estimate: 150-200
388. A framed fragment of a letter dated August 4th 1735 from John Prentice, with the recipient's reply apparently verso, 18 x 14 cm (7 x 5 1/2 in)
Estimate: 50-70
389. A Victorian gentleman's collection of prehistoric flint cutting tools, including axe heads, arrow heads and other worked flint, bearing collection labels with notes as to origin and date of acquisition, housed within a hinged wooden counter-top display case
Estimate: 100-150
390. A 19th century gilt bronze crucifix, with shaped and stop chamfered outline and hanging loop, 34cm (13 1/2in)
Estimate: 100-150
391. An early 20th century violin, the scroll with lion's head terminal, two part back and ebony furniture and student's bow, with fitted case, 36cm (14in) length of back
Estimate: 150-200
392. 'The Elysia' violin by Stentor Music Co. Ltd., with bow and case
Estimate: 150-200
393. A pair of decorative folding pince-nez, case stamped '10ct', together with a cased necessaire set, pressed timber snuff box and a painted tin box raised on cast paw feet, the design depicts children in early 19th century costume, probably in satire of Napoleon and Josephine, 15cm (6in) wide
Estimate: 80-120
394. A late 19th century musical box, playing eight airs, the comb and pinned cylinder accompanied by nine engraved bells, Serial No 26686, the figured burr walnut case tulip wood banded and boxwood strung, inscribed 'PVF' to base of case, suggesting it was made by Paillard Vaucher Fils of Ste. Croix, Switzerland for George Bendon of Ely Place, London, c.1870, case 58cm (23in) wide
Estimate: 800-1200
395. A pair of riveted black iron articulated plate gauntlets, probably 19th century, 32cm (12 1/2in) long
Estimate: 80-100
396. A 19th century rustic hewn birch wood vessel, with retaining iron bands and simple applied handle, the tapering body with naive incised decoration, possibly a corn measure, 41cm (16in) high
Estimate: 70-100
397. An early 20th century carved wood and painted gesso rocking horse, with horse hair mane and leather tack, 82cm (32in) wide, and a pull-along toy dog
Estimate: 80-100
398. A 19th century yellow metal spy glass with loop handle, together with a spy glass with floral cast frame and a yellow metal single Albert and pommel
Estimate: 50-80
399. A Victorian blue velvet-bound carte de visite photograph album, mounted with a German porcelain oval panel, the album containing many carte de visite cards, 14cm (5in) wide
Estimate: 80-100
400. Football interest - a 9ct gold and enamel badge for the past president of the L.B.F.A., 1933 by Mappin and Webb, in fitted case
Estimate: 80-120
401. A pair of 20th century Eastern cast iron decorative cannon, the barrels with cast flowing tendril designs on carriages with cast masks and iron wheels, the wheels 61cm (24in) diameter, the barrels 120cm (47in) long
Estimate: 300-500
402. A Victorian treen pint tankard, with proof marks, together with a horn snuff box, a miniature pistol, 4cm (1 1/2in), miniature carved ivory figures in small boxes, a cased wax seal, two hand fobs and two model horse soldiers
Estimate: 60-80
403. A Nazi style SS Mountain Troop M43 type forage cap, with cloth insignia
Estimate: 150-200
404. A Nazi style Norwegian forage cap (Quisling)
Estimate: 80-100
405. A Prussian style Pickelhaube, with brass fittings
Estimate: 80-120
406. A Prussian Pickelhaube, with spread eagle plate and cockades
Estimate: 150-200
407. A1939-45 German M35 pattern police type steel helmet, painted in olive/sand colour with Afrika Korps Nazi decals
Estimate: 75-100
408. A 1939-45 German M35 pattern police type steel helmet, painted in field grey colour with Nazi Wehrmacht decals
Estimate: 75-100
409. A George V satin naval chapeau-de-bras hat, with George V buttons
Estimate: 60-80
410. A 1914-18 Iron Cross (2nd class), now mounted on a shaped wooden wall plaque carved with a double headed Prussian eagle, 27cm (10 3/4in)
Estimate: 30-50
411. A 1939-45 group of five to 734951 S. Sgt G. E. Mackenzie R.A.M.C., comprising War Medal, Defence Medal, 1939-1945 Star, France and Germany Star, George VI Territorial Efficiency Medal, together with an RAMC lapel badge and the recipient's small leather case of instruments
Estimate: 100-150
412. A framed display relating to Lt. Cmdr. Eugene Fluckey, containing one of his four Navy Crosses, his pea coat ebonite buttons and his submarine badge, text relating to his career and a photograph of the USS Barb which he commanded in 1944
Estimate: 85-100
413. A 1960s French paratrooper's steel helmet, with camouflage net
Estimate: 30-50
414. A Royal Air Force aerial survey camera, marked 'Cone 5" Type 'B' - 14A/2308 - Serial No.5091', by Williamson Mfg Co Ltd, 23cm (9in) wide
Estimate: 80-100
415. An early 20th century silver presentation cigarette box, with inscription relating to 'Mary and Andy from the Captain and Officers of HMS Shackleton', 8th August 1953, Birmingham 1924, also including notes regarding HMS Shackleton, 14cm (5 1/2in) wide
Estimate: 50-80
416. A REME regimental plaque, a Sam Browne belt and holster, a silk parachute canopy and a dress uniform peaked cap
Estimate: 80-120
417. A Canadian Ross of Quebec 303 bayonet (MKII) and scabbard, 39cm (15 1/4in)
Estimate: 60-100
418. A J Chapmans (1908?) Lee Enfield 303 sword bayonet and scabbard
Estimate: 70-100
419. A French Epee-Lebel rod type sword bayonet and scabbard and leather frog, the bayonet with curved quillion and cruciform blade, 66cm (26in)
Estimate: 70-100
420. A Spanish Toledo Bolo type bayonet and scabbard, the blade with distinctive concave cutting edge, 39cm (15in), together with a reproduction Nazi SA dagger and scabbard (2)
Estimate: 70-80
421. A 1939-45 webbing set, comprising Sykes-Fairburn 2nd pattern fighting knife and scabbard, jungle machete and scabbard, marching compass and ammunition pouch. The owner was formerly attached to Orde Wingate's chindits, 29cm (11 1/2in)
Estimate: 120-150
422. A French M1874 Gras bayonet and scabbard, with curved quillion, the T section of the blade marked 1878, 65cm (25 1/2in)
Estimate: 70-100
423. An early 20th century Portuguese Kropatschek (1885 model) sword bayonet and scabbard, with down turned quillion and two part grip, 61cm (24in)
Estimate: 70-100
424. A German M35 pattern police helmet, the black paint finish with a partly erased Nazi emblem, bearing a maker's label for Heinrich Madelartz HMA Aachen
Estimate: 100-150
425. A compressed cork Cromwell type commanding officer's fire helmet, together with a James Hendry of Glasgow leather fire helmet with brass edging, early 20th century
Estimate: 100-150
426. An early 20th century velvet trumpet pennant, bearing the arms of the Grenadier Guards inscribed 'Honi Soit Qui Mal y Pense', together with a merchant navy officer's cap badge, a pair of 1939-45 reserve naval officer's epaulettes, a pair of naval officer's epaulettes and corresponding cap badge with bullion work
Estimate: 100-120
427. A 1939-45 Nazi Infantry officer's cap, with oak leaves and winged swastika badge
Estimate: 200-300
428. A CWC (Cabot Watch Company) military issue G10 Serviceman's wrist watch, with quartz movement, dated 1989
Estimate: 70-100
429. A 1939-45 prisoner-of-war group of four to 38301 E. W. Peterson, 2nd Battalion Pretoria Regiment, named as issued, comprising War Medal, 1939-1945 Star, Africa Star and Africa Service Medal
Estimate: 100-150
430. A 1914-18 group of three German medals, on an Austrian mount, including the Iron Cross Second Class, the Orden Friedrich II Grossherzog von Baden, 'Fur Verdienst', and a Kyffhauserbund medal
Estimate: 80-120
431. A United Nations Korea medal, British issue, gilded, together with a 1914-18 War Medal to 3204 Pte.T. I. Kon... (name rubbed) and three 1914-18 Victory Medals
Estimate: 70-100
432. A 1914-18 German Iron Cross, Second Class, together with a 1914-18 Kyffhauserbund medal and an 1898 Austrian 'Signum Memoriae' medal
Estimate: 70-100
433. An Elizabeth II Associate Royal Red Cross medal, issued by Spink
Estimate: 80-120
434. An Elizabeth II Royal Red Cross medal, issued by Spink
Estimate: 100-150
435. A German 1938 Sudetenland medal, in original packet of issue, together with a 1939 German West Wall medal, in original packet of issue
Estimate: 50-70
436. A 1939-45 Russian group of medals, comprising Defence of Moscow, Defence of Stalingrad, Capture of Berlin, Victory over Germany and four anniversary medals, together with a Soviet Order of the Patriotic War medal, numbered 5882803 in script on the reverse
Estimate: 100-150
437. Three British army cap badges, including Glider Pilot Regiment, XXVI Hussars and Lancashire Hussars Imperial Yeomanry, together with a silver Royal Navy sweetheart brooch by Page of Plymouth, two Mention in Despatches oak leaves and a 'Battle of Britain' bar for a 1939-45 Star
Estimate: 80-120
438. Six hand coloured portrait photographs in five frames of figures in 1939-45 German uniform, some of the uniforms apparently de-Nazified, including three servicemen, one woman (not in uniform), one wedding group and a family of three, the largest 39 x 29 cm (15 1/2 x 11 1/2 in)
Estimate: 250-350
439. An early 20th century laminated oak aeroplane propeller, the leading edges reinforced with metal facings, the bars with a standard eight bolt hole firing, stamped '32177', 244cm (96in) long (thought to be from a Bristol aircraft)
Estimate: 200-300
440. A scarce Household Brigade Yacht Club cap, with embroidered badge, in original cardboard retail box, bearing the name of Herbert Johnson of New Bond Street, together with a monogrammed Lock & Co bowler hat
Estimate: 130-150
441. A Nazi party mother's medal, with blue and white enamel detail and matching ribbon
Estimate: 50-70
442. An RAF woollen great coat, and a peaked RAF officer's cap
Estimate: 70-100
443. A WWII sheep skin tank commander's jacket
Estimate: 70-100
444. An early 19th century shaped and carved Chinese tortoiseshell snuff box, with hinged cover, the rectangular carved with 'Long Eliza' figures in garden pavilions within a flower and bamboo border, c. 1820, 9cm (3 1/2in) wide
Estimate: 250-300
445. A probably 18th century Chinese circular carved agate footed dish, with rope twist rim and carved in the round with stylised zoomorphic animals, raised on three squat feet, raised on carved hardwood base
Estimate: 250-300
446. A Chinese bronze vase of baluster form, with recessed panels of carp on a matted ground, marked in stylised characters to the base, 47cm (18 1/4in) high
Estimate: 300-400
447. A 19th century bronze plaque, cast on both sides with the image of a standing bull, 9 x 16cm (3 1/2 x 6 1/4in), together with a mid European cast bronze roundel depicting a Bacchanalian scene, 14cm (5 1/2in) diameter (2)
Estimate: 50-70
448. A bronze double mask finial, after the antique, 15cm (6in) high, a bust of a child on marble socle base, a cast bronze dog and bear, three small white metal dishes with repousse peasant decoration, 8cm (3in) diameter, and a circular brass box with cover
Estimate: 100-150
449. A Victorian terracotta figure group of cherubs weaving a floral swag about a reclining ram, on waisted socle type base, 18cm (7in) wide, together with two early earthenware vessels
Estimate: 60-80
450. A cast bronze medallion, marked 'Clemens X PONT. MAX.AN.V' and dated 1675, 4cm (1 1/2in) diameter
Estimate: 85-100
451. A 19th century French bronze figure of Polyhymnia, after the antique, on a Sienna marble base, 38cm (15 in) excluding base
Estimate: 800-1200
452. A 19th century French bronze figure of a classical female, probably after the antique, on a Sienna marble base, 41 cm (16 in) excluding base
Estimate: 800-1200
453. A 17th century rectangular oak panel section, with vitruvian scroll and pellet and bead carving, 79cm (31in) wide
Estimate: 50-80
454. A Chinese carved ivory pomander or cricket cage, with pierced body of barrel form, 6cm (12in) long
Estimate: 80-120
455. A Palais Royal equine hunting phleam, with a carved ivory long dog's head with inset eyes and silver collar, the blade marked 'C H Paris', 6.5cm (6 1/4in) long
Estimate: 150-200
456. A late 14th/early 15th century style carved limestone or composition seated figure, possibly King David, 29 cm (11 1/2 in) high
Estimate: 100-150
457. An early 16th century probably French carved limestone figure of St. Sebastian, with traces of original paint, 89 cm (35 in) high
Estimate: 4000-6000
458. A 14th century probably French carved limestone capital, with crocketed decoration, 29 cm (11 1/2 in) high
Estimate: 1000-1500
459. A c.1900 patinated spelter figure of a prowling vixen, mounted on a Belgian black marble plinth, 62cm (24 1/2in) long
Estimate: 120-150
460. An Indian carved hardwood panel, portraying Kali standing on the body of Shiva on a lotus socle, 20 x 31cm (8 x 12 1/4in)
Estimate: 100-150
461. A 19th century white marble relief panel of a group of six putti and goat, one riding on the animal's back whilst his companions pull and push their indignant mount, 36 x 18cm (14 x 7in)
Estimate: 120-150
462. A Chinese or Tibetan gilt bronze Buddha, seated in the bhumisparsha mudra pose, with hand palm up on the figure's lap, traces of polychromic paint and gilding remain, possibly 18th century, 18cm (7in) high
Estimate: 120-150
463. An 18th century French carved Grenoble walnut pilaster, with swag tied bow, shell and bound saint, 85cm (33in)
Estimate: 150-250
464. A c.1900 Japanese champleve enamel decorated figure of Kannon, with ruyi sceptre, 22cm (8 1/2in) high
Estimate: 100-150
465. A late 18th century Russian icon, Christ Pantocrator, full length, his left hand holding the Gospels, the right raised in blessing, tempera on panel, 30 x 27 cm (12 x 10 1/2 in)
Estimate: 200-300
466. A Greek icon, probably c. 1800, St. Andrew, three-quarter length, his left hand holding a staff, his right raised in blessing, tempera on panel, 24 x 16 cm (9 1/2 x 6 1/4 in)
Estimate: 400-600
467. A 19th century Russian icon, The Mother of God of Vladimir, traditionally painted on a silver ground, tempera on panel, 27 x 21 cm (10 1/2 x 8 in)
Estimate: 100-150
468. A late 18th century South German or Tyrolean carved wood and gilt gesso allegorical figure, on a rococo base, 31 cm (12 in) overall
Estimate: 100-150
469. An Austrian carved and stained birch wood bear, with salmon over his shoulder, raised on rough hewn base, 31cm (12in) wide
Estimate: 150-200
470. A late 18th century probably French silver oval cashew box, the hinged cover mounted with a portrait miniature of a young gentleman in a powdered wig and crimson coat, set with paste stones to the border, the lower section of the box with tortoiseshell panel, 5cm (3 1/4in) wide
Estimate: 100-150
471. A late 19th century oval Indian portrait miniature on ivory, portraying Ranjit Singh (Emperor of Punjab), mounted in a gilt brass setting with loop suspensions, possibly taken from the painting by Emily Eden, inscribed verso 'Ranjit Singh', 6cm (2 1/2in) long
Estimate: 80-100
472. A late 19th century oval Indian portrait miniature on ivory portraying Timar, mounted in a gilt brass setting with loop suspension, 6cm (2 1/2in) long (a Timar was an irregular cavalry officer), inscribed verso 'Timar'
Estimate: 80-100
473. A late 19th century oval Indian portrait miniature on ivory, portraying Humayun (Second Moghul Emperor), mounted in a gilt brass setting with loop suspension, 6cm (2 1/2in), inscribed verso 'Humayun'
Estimate: 80-100
474. A 19th century French faux cannetille work yellow metal locket frame, with bevelled glass, the rectangular border with raised roses and leaves, fitted a rose decorated suspension
Estimate: 100-150
475. A 19th century English school oval portrait miniature on ivory, portraying a gentleman in black tailcoat with matching stock, mounted in a floral cast oval brass setting with corresponding suspension loop, with vacant mourning panel verso, 6cm (2 1/2in) long
Estimate: 80-100
476. An Indian Mughal carved ivory khandjar handle, modelled on a lioness's or panther's head, with open mouth and a collar of bell flowers, raised palmetted decoration to the bifurcated hilt, 15cm (6in) long
Estimate: 1200-1500
477. An early 20th century Chinese bronze corpulent Buddha, with his bag of good luck, 8cm (3 1/4 in) high, together with a standing Buddha with sack and fan, 8cm (3 1/4in) high
Estimate: 60-80
478. A 19th century wax profile portrait of the Duke of Wellington, 8cm (3 1/4in) diameter, in ebonised frame
Estimate: 70-100
479. Three 19th century silhouettes, highlighted with gilt work, includes a pair, Mr and Mrs William Cotterill of Bracknell House, and their son William, the ebonised frames with brass acorn and oak leaf ring mounts, image 9.5 x 6cm (3 1/3 x 2 1/2in)
Estimate: 80-100
480. A 19th century copper portrait relief of James Chalmers, dated 1890, circular, 18 cm (7 in) diameter, in an oak frame with velvet slip
Note: Chalmers, born in Scotland in 1841, was a missionary who was killed, and allegedly eaten, by natives of Goaribari Island, Papua New Guinea, in 1901
Estimate: 80-120
481. After Jean Bulio (1827-1911) a patinated bronze figure of a piping satyr, partly draped he dances upon a square plinth marked 'Bulio', over a marble socle, 17cm (6 3/4in) high
Estimate: 150-200
482. A French late 19th century patinated bronze figure of a female fawn, seated upon an architectural plinth, 16cm (6 1/2in)
Estimate: 100-150
483. A 19th century French patinated bronze figure group, of a young Bacchus holding a bunch of grapes whilst astride a recumbent goat, mounted on a black marble base
Estimate: 150-250
484. A late 19th century French patinated bronze figure group of a putti band, mounted on a shaped senna marble plinth, 18cm (7in)
Estimate: 180-220
485. A 19th century relief carved lime wood panel, depicts a bust of a young man, inscribed 'R. Sansio', 13 x 10cm (5 x 4in), inlaid frame
Estimate: 150-250
486. A Chinese carved ivory figure bearing the seal mark for Qianlong, with pen work and gilded polychrome decoration to jacket, 11cm (4 1/4in) high
Estimate: 150-200
487. Two 19th century far eastern carved wood animals, an elephant and camel, the elephant 19cm (7 1/2in) high
Estimate: 80-100
488. An ivory ground Heriz carpet, of book cover design with turtle border, 294 x 392cm (116 x 154in)
Estimate: 2500-3000
489. A royal blue ground carpet, with central motif and broad floral borders, possibly Meshed, 394 x 300cm (195 x 118in)
Estimate: 300-400
490. A Chinese silk work panel, floral decoration blue on a terracotta ground, 38 x 36cm (15 x 14in), together with two unframed panels
Estimate: 50-70
491. A length of possibly 17th century Italian lace trim, together with other sections of lace of various age and origin
Estimate: 80-100
492. A collection of 18th and 19th century lace trim
Estimate: 80-100
493. A possibly 17th century lace section, together with lace cuff trim and other 19th century lace
Estimate: 60-80
494. A collection of pictorial crochet, depicting a lion of St Mark, putti, etc and other white wares
Estimate: 50-80
495. A probably late 19th century Irish (Limerick) lace lady's handkerchief, decorated with swags, flowers and harps, together with one other lace handkerchief and a 19th century bonnet and sash
Estimate: 60-80
496. A probably early 19th century lace panel, worked with neo-classical motif, with knot work and other techniques, framed and glazed, 43cm (17in) square
Estimate: 250-300
497. An early 20th century Turkish kece seccade felted prayer rug, with classical column supported mihrab and lantern, fringed on all edges, 165 x 99cm (65 x 39in)
Estimate: 70-100
498. A probably 18th century tapestry panel after Bartolome Esteban Murillo (1618-1682), depicting two urchins eating melon and grapes, 147 x 97cm (58 x 38in)
Estimate: 300-500
499. A red ground Tekke Turkoman carpet, with a lattice ground with stylised guls, 326 x 217cm (128 x 85 1/2in)
Estimate: 800-1000
500. An old Shiraz region blue ground long rug, with three rows of interlocked lozenges on poles within floral borders, 196 x 348cm (77 x 137in)
Estimate: 400-600
501. An old Kurdish runner of dark blue ground, with overall scheme of flowers within a tile border, 107 x 305cm (42 x 150in)
Estimate: 350-400
502. A blue ground Caucasian rug, with geometric decoration, 229 x 127cm (90 x 50in)
Estimate: 300-400
503. A red ground Shiraz rug, with three rows of interlocking lozenges on poles within multiple borders, 285 x 145cm (112 x 57in)
Estimate: 250-300
504. An old Caucasian Lesghi rug, with three cruciform lozenges within wine glass and calyx border, 155 x 101cm (61 x 41in)
Estimate: 300-350
505. An old Caucasian Daghestan rug, with ivory ground with repetitive flower motif, 110 x 170cm (43 1/2 x 67in)
Estimate: 150-200
506. A plum red ground Shiraz rug, with a ground filled with geometric motifs within an interlocked cruciform border, 238 x 160cm (93 12 x 63in)
Estimate: 250-300
507. A red ground Mahal, with all-over design of palmettes within floral borders, 268 x 381cm (105 x 150in)
Estimate: 220-250
508. A red ground Heriz carpet of book cover design, within broad borders and golden grounds, 282 x 363cm (111 x 143in)
Estimate: 450-500
509. A crimson red ground Qashqai rug, with five lozenges on a central pole within geometric borders, 313 x 213 cm (123 x 84in)
Estimate: 200-250
510. An ivory ground Kerman carpet, with pale blue bookcover scheme, within scrolling borders, 417 x 278cm (164 x 109 1/2in)
Estimate: 400-500
511. An ivory ground Tabriz carpet, of all over Islimi design with palmettes and scrolls within large floral borders, 400 x 307cm (157 1/2 x 121in)
Estimate: 400-500
513. An Indonesian batik panel, decorated with numerous figures from South East Asian culture, 180cm (71in) long
Estimate: 150-200
514. An old Bidjar rug, with central medallion on an inky blue ground, with large flower head borders, 143 x 192cm (56 x 76in)
Estimate: 250-300
515. A plum red ground Shiraz runner, with eleven stepped lozenges on a pole, within a meandering border
Estimate: 220-250
516. A quantity of lace strips, possibly late 17th/early 18th century Venetian, 7cm (3in) wide, one piece 158cm (62in) long
Estimate: 50-70
517. An old Soumakh carpet of brick red ground, the field with three large medallions interspersed with other geometric devices within a running dog border, probably Shirvan, 275 x 215cm (108 x 84 1/2in)
Estimate: 400-600
518. A Persian Kelim with supplemental weft decoration, on an abrashed red ground, with bunched tassels, 200 x 140cm (79 x 55in)
Estimate: 80-120
519. A red ground Qashqai rug, with three lozenges on a central pole, within a geometric border, 175 x 127cm (69 x 50in)
Estimate: 70-100
520. An old Caucasian rug with cruciform lozenges on an orange ground, within a wine glass and leaf border, 102 x 210cm (40 x 82 1/2in), together with an old Kurdish rug (2)
Estimate: 80-100
521. A set of curtainage, to include two pairs of emerald green slub woven silk curtains, 245 x 225 cm (97 x 88 in) wide at the hem, box pelmets with matching fabric covering, swag pelmets and tie-backs
Estimate: 150-200
522. A late 17th century stump work and embroidered panel depicting a lady in a landscape with a castle beyond, oval, 18 x 15 cm (7 x 5 3/4 in), in a later carved and gilt gesso frame
Estimate: 250-350
523. An old Tekke rug, of red ground with a lattice field of guls and crosses, 154 x 110cm (61 x 43 1/2in), together with a smaller Tekke rug (2)
Estimate: 80-100
524. A 19th century lace collar and other items of lace trimming
Estimate: 50-70
525. An Edwardian marquetry inlaid mahogany bracket clock, arched brass dial with silvered chapter ring, bearing Arabic numerals, chime/silent indicator with Junghans brass chiming movement, raised on bun feet
Estimate: 80-120
526. A presentation boxed gilt brass working model of James Ferguson's Mechanical Paradox, numbered No 21, 30cm (12in) square
Estimate: 70-100
527. A late 19th century spelter clock, the eight-day movement striking on a bell, circular white enamel dial with Roman numerals, supported by two ladies in flowing robes holding aloft a basket of fruit with bird perched, raised on a mahogany octagonal base, overall 81cm (32in) high
Estimate: 300-500
528. P. Aggio of Colchester, a 19th century mahogany cased barometer, clock, thermometer and hydrometer, case with swan neck pediment and brass urn finial, 6in white enamel clock dial with Roman numerals, 10in silvered barometer dial, overall 112cm (44in) high
Estimate: 300-500
529. Cooke of Cambridge, an oak long case clock, arched hood with brass mounts and capped columns flanking painted arched dial with sea shell, flowers and Prince of Wales feathers decoration, Arabic numerals with date aperture and secondary dial, eight-day striking movement, the box base mahogany crossbanded, raised on bracket feet, c.1800, 236cm (93in) high
Estimate: 800-1200
530. A carved oak framed barometer and thermometer by Harrison of Stockton, circular calibrated dial, the frame carved in the aesthetic taste, dial 18.5cm (7 1/4in) diameter
Estimate: 80-120
531. A decorative oak cased wall clock by Brookhouse of Sheffield, the white enamel dial with Roman numerals, eight-day fusee movement, dial 30cm (12in)
Estimate: 200-250
532. A Georgian design mahogany cased bracket clock, inverted bell top, with brass handle, pierced fish scale brass panels to the sides, raised on brass bun feet, enamel dial with Arabic numerals, eight-day striking movement, dial 10.8cm (4 1/4in) diameter, 36cm (14in) high
Estimate: 300-400
533. A 19th century French ormolu cased mantel clock, urn finial with ram's mask mounts, satyr masks to the sides, bell husk garland about a dial, the case inset floral painted ceramic panels, fitted eight-day striking movement, enamel dial with Roman hours and Arabic minutes, 37.5cm (14 3/4in) high
Estimate: 500-600
534. A Fenton Russell and Co, Edinburgh, heavy brass bulkhead clock, 23cm ( 9") diameter
Estimate: 100-150
535. A late 18th century 30-hour brass faced long case clock, the oak case with mahogany cross banding, the dial with applied chapter ring, calendar rocker and seconds dial, marked 'Henry Deykin, Worcester, N. 1339', 206cm (81in) high
Estimate: 500-700
536. A Negretti and Zambra of London wall barometer, in carved oak frame, No 25972, 20cm (8in) dial
Estimate: 80-120
537. A c.1900 German oak-cased eight-day three train mantel clock, of arched top, with strike/silent and silvered chapter ring, 32cm (12 1/2in) wide
Estimate: 120-150
538. A George II red walnut drop leaf dining table, with radiused corners, raised on shaped cabriole supports with claw and ball feet, 102cm (44in)
Estimate: 800-1000
539. An early 20th century full hide Knole sofa, with three seats and hinged ear pieces, together with a pair of matching chairs
Estimate: 500-700
540. A George III mahogany tilt top occasional table, on turned stem and three arched supports, 69 x 76cm (27 x 30in)
Estimate: 100-150
541. A pair of Victorian carved wood and gilt gesso girondelles, with two shaped shelves
Estimate: 200-300
542. A Victorian walnut cameo back parlour armchair, with carved cresting and cabriole legs
Estimate: 300-400
543. A Chinese carved hardwood jardiniere stand, with square top, the base with shaped legs and cash undertier, 40cm (16in) square
Estimate: 80-100
544. A Victorian figured walnut oval Sutherland table, with turned frame base, (24in) 61cm wide
Estimate: 60-100
545. A George IV mahogany sofa table, of unusual dimensions, fitted two real and two faux frieze drawers, raised on a sub-base with inverted sabre supports, 79cm (31in) wide
Estimate: 150-200
546. An early 19th century Venetian carved wood and gilt gesso easel mirror, with acanthus tongue frame and rosette surmount, 33cm (13in) wide
Estimate: 120-150
547. A 19th century wood grain effect painted pine chest of two short over two long drawers, with gallery back, raised on turned supports, 92cm (36in) wide
Estimate: 150-200
548. A George II mahogany cupboard, fitted drawers below, pierced side carrying handles, raised on squared supports, 52cm (20 1/2 in) wide
Estimate: 100-150
549. A pair of George I/George II transitional elm and ash vase back chairs, with cabriole legs
Estimate: 220-250
550. An Anglo-Indian profusely carved padouk wood centre table, the circular top with gods and deities raised on winged figures above a base with elephant's head legs with inset ivory tusks, c.1900, 76cm (30in) diameter
Estimate: 1500-2000
551. A George III mahogany fall front bureau bookcase, the upper section with decorative glazed door, the lower section with fitted interior with candle slides above, fitted four long drawers, raised on shaped bracket feet, 107cm (42in)
Estimate: 800-1200
552. A late 17th century oak coffer, cover with wire staples, carved decoration, raised on stile end supports, 113cm (44 1/2in) wide
Estimate: 200-300
553. A George III mahogany open armchair, with sabre arms and low back and moulded outline, the bar back with reeded decoration over a stuff-over seat, raised on square tapering supports, together with two other mahogany carver chairs of similar period (3)
Estimate: 150-200
554. A William IV mahogany twin pedestal dining table, comprising two 'D' ends, raised upon a pair of pedestals with inverted sabre legs and lion's paw feet, 118cm (46 1/2in) wide
Estimate: 450-500
555. An Edwardian pictorial marquetry panel, depicting a ribbon-tied wreath of blooms and foliage in the French ebeniste style on ebonised ground, 62 x 44cm (24 x 14in)
Estimate: 150-200
556. An Art Deco hammered pewter wall mirror, with shaped outline and applied ceramic cabochons, in the style of Ruskin, 43cm (16 1/4in)
Estimate: 60-80
557. A Regency ebonised, painted and parcel gilt carver chair, with cane panel seat, raised on turned and splayed simulated bamboo legs
Estimate: 220-250
558. A George II mahogany library side chair, with cabriole legs fore and aft, the plain backed chair with stuff-over upholstery, raised on carved supports
Estimate: 300-350
559. A George IV mahogany sofa table, with two real and two faux frieze drawers, raised on ringed and turned columns above 'toothache' sabre legs, with box toe castors, 93cm (36 1/2in)
Estimate: 450-500
560. A George III mahogany Pembroke table, with reeded edge, raised on squared supports and socket castors, 79cm (31in) wide
Estimate: 100-150
561. A part 18th century country made oak table, the rectangular top raised on bold plain cabriole supports terminating in pointed pad feet, 76cm (30in)
Estimate: 100-150
562. A George IV mahogany legged horseshoe-back chair, with turned supports and socket castors
Estimate: 120-150
563. A George II style mahogany gentleman's hipped fireside wing back chair, raised on cabriole supports
Estimate: 80-100
564. A George II oak estate made linen press, the upper section with two moulded panel doors, the base fitted a brushing slide over two short over two long drawers, raised on shaped bracket feet, 113cm (44 1/2in)
Estimate: 250-300
565. A George II walnut bureau bookcase, the lower section with stepped and fitted interior, over two short and three long drawers, the upper section with a pair of shaped panel doors, with candle slides below, the whole raised on ogee bracket feet, 111cm (39 1/2in) wide
Estimate: 700-900
566. A Robert Thompson of Kilburn 'Mouseman' oak stool, kidney shape top with signature carved mouse to edge, raised on three octagonal supports, 44cm (17 1/2in) high
Estimate: 100-150
567. A George III mahogany low boy, fitted three drawers with brass shaped plate back handles, raised on squared supports, 72cm (28 1/4 in) wide
Estimate: 200-300
568. A 17th century oak bible box, to the sides carved panels of stylised flowers, plain hinged lid, 66cm (26in) wide, raised on later oak stand with turned supports and plain stretchers, total height 75cm (29 1/2 in)
Estimate: 150-200
569. A 19th century low comb back open arm provincial chair, yew bow and arms, ash spindles with elm seat, raised on turned supports with 'H' stretcher
Estimate: 120-180
570. A late 17th century oak coffer, panelled front with carved frieze, raised on stile end supports, 96cm (37 3/4in) wide
Estimate: 200-250
571. A 19th century mahogany secretaire cabinet, the top with pierced and carved floral pediment over two glazed doors, the base fitted secretaire drawer revealing fitted interior, two oval panel inset doors, canted sides to the carcase, with acanthus mounts, 107cm (42in) wide
Estimate: 2000-2500
572. Two Victorian walnut veneer music cabinets, brass gallery tops, marquetry inlay around single glazed doors, on bracket feet, 51cm (20in) wide
Estimate: 200-250
573. An ornate gilt framed salon chair, floral carved spoon back on cabriole supports, machine tapestry seat and back pad, figures in 18th century costume in a parkland setting bordered by flowers, on brass castors
Estimate: 200-300
574. An Edwardian mahogany framed adjustable piano stool, button leather upholstered seat, raised on turned supports with 'H' stretchers, 43cm (17in)
Estimate: 80-120
575. A 19th century rosewood Canterbury, carved wreath design, on base fitted single drawer on turned feet with brass castors, 51cm (20in)
Estimate: 200-250
576. A Victorian rosewood pocket Albion Grand piano, as invented and manufactured by Robert Wornum of Bedford Square, London, raised on hexagonal tapering supports, 117cm (46in) wide
Estimate: 300-500
577. A Victorian button back salon chair, turned mahogany fore feet, cream button back fabric with machine tapestry seat
Estimate: 80-120
578. A Victorian walnut framed stool, carved cabriole supports, gold dralon upholstered top, 43 x 38cm (17 x 15in)
Estimate: 80-120
579. A part George III oak cabinet on stand, the top fitted two arched panel inset doors opening to reveal fitted interior of pigeon holes and drawers, the later stand with turned supports and plain stretchers, 94cm (37in) wide, 175cm (68 3/4in) high
Estimate: 200-300
580. A George III oak chest on stand, the top fitted two short over three long drawers with brass shaped back plate handles, the base fitted three small drawers with cabriole pad foot supports, 99cm (39in) wide, 137cm (54in) high
Estimate: 1000-1500
581. A 19th century mahogany pillar Pembroke table, fitted drop flaps and two drawers on octagonal stem, with shaped platform, 41cm (16in) wide
Estimate: 150-200
582. A 19th century mahogany dressing commode, hinged top opens to reveal mirror and compartments over drawer and retractable commode, raised on square tapering supports, 46cm (18in) wide
Estimate: 250-300
583. A 19th century mahogany dressing table, fitted five drawers with brass ring handles, raised on turned and fluted tapering supports, 93cm (36 1/2in) wide
Estimate: 150-200
584. Two Regency rosewood single chairs, with decorative brass inlay, one with woven cane seat and sabre fore supports
Estimate: 60-80
585. A Georgian oak dresser, with plate rack back over base fitted three drawers with pot board undertier, on bracket feet, 160cm (63in) wide
Estimate: 300-350
586. A 19th century carved walnut framed salon chair, raised on cabriole fore supports, orange ground fabric upholstered seat and back pad
Estimate: 80-120
587. A 19th century mahogany needlework table, fitted drawer and needlework store, raised on fluted supports with acanthus scroll feet, 64cm (25in) wide
Estimate: 250-300
588. An 18th century mahogany wine table, raised on turned stem with triform supports, top 48cm (19in) diameter
Estimate: 100-150
589. A Victorian mahogany what-not, the top with gallery of two cupboard doors, turned supports on brass castors, 56cm (22in) wide
Estimate: 150-200
590. A 19th century elm chest of four long drawers, brass handles, on bracket feet, 93cm (36 1/2in) wide
Estimate: 200-250
591. A George III oak snap top supper table, raised on turned stem and tripod supports, 61 x 53cm (24 x 21in)
Estimate: 100-150
592. A set of four Victorian mahogany balloon back single chairs, with carved backs and cabriole supports
Estimate: 80-120
593. A Victorian fire screen, raised on carved rosewood tripod base, complete with brass pole and adjustable hanger, but without a fabric panel
Estimate: 60-80
594. A 19th century provincial open arm low back chair, elm seat raised on turned supports and stretchers
Estimate: 80-120
595. An Edwardian carved padouk wood 17th Lancers regimental table, the top with central regimental arms and motto 'Death or Glory' surrounded by 19th century battle honours, including South Africa, Sevastopol, Central India, raised on a simple frame base, 55cm (21 1/2in) square
Estimate: 150-200
596. A George III snap top mahogany supper table, raised on turned stem on three arched triform supports, 73cm (28 3/4in) diameter
Estimate: 200-250
597. A Victorian mahogany pole screen, the front inset raised woolwork picture of a bird and flowers, raised on circular platform base
Estimate: 100-150
598. A George III mahogany fall front writing bureau, fall reveals fitted interior over four long drawers to base on bracket feet, 91cm (36in) wide
Estimate: 250-300
599. A 19th century mahogany two door cupboard, raised on later stand, fitted slide with brass handles, on square tapering supports, 96cm (38in) wide
Estimate: 120-180
600. A George III oak base dresser and rack, the lower section fitted a bank of central drawers flanked by a pair of cupboard doors, raised on stile supports, 155cm (61in)
Estimate: 500-600
601. A Victorian mahogany towel rail, with fluted decoration, 71cm (28in)
Estimate: 70-100
602. A French tulip wood and zebrano Art Deco kidney form dressing table, with mirror back and single frieze drawer, 104cm (41in) wide
Estimate: 300-400
603. A Regency design mahogany show framed scroll end sofa, raised on turned supports, cream self patterned fabric upholstery with button squab cushion seat and cushion rolls
Estimate: 300-500
605. A set of seven late 19th century Arts and Crafts style oak chairs, with woven rush seats, the set comprising six singles and one carver chair
Estimate: 200-300
606. A c. 1900 small oak Arts and Crafts single door corner cabinet, with stylised copper panel detail, 38cm (15in) wide
Estimate: 70-100
607. A George III mahogany drop leaf table, with square tapering supports, 104cm (41in)
Estimate: 100-150
608. An Arts and Crafts parquet line inlaid golden oak mirror back sideboard, with deep canted corners, kneehole and frieze drawer, 158cm (62in)
Estimate: 400-600
609. A Victorian iron bound pine campaign chest, fitted two short over one long drawer, with inset brass handles, 96cm (37in)
Estimate: 180-220
610. A George I/III mahogany swing dressing table mirror, the base of moulded form fitted three shaped trinket drawers with shaped mirror above
Estimate: 180-220
611. A George III mahogany and brass banded peat bucket, with swing bale handle, the body of the bucket with ridged decoration, 36cm (14in) diameter
Estimate: 600-800
612. A George III mahogany serpentine fronted swing dressing mirror, the base fitted three trinket drawers with shield shaped mirror above, 42cm (16 1/2in) wide
Estimate: 150-200
613. A Victorian brass bound camphor wood campaign chest, 102cm (40in) wide
Estimate: 180-220
614. An early 19th century mahogany circular piano stool, with adjustable seat, raised on splay supports
Estimate: 100-150
615. A 19th century mahogany tray topped two door night cupboard, with moulded square supports, 44cm (17in) wide
Estimate: 100-150
616. A Victorian four fold scrap work draught screen, with ebonised frame, 53cm (22 1/2in) each panel
Estimate: 80-100
617. An 18th century probably Scottish figured mahogany bow fronted commode chest, fitted three long drawers flanked by a pair of reeded pilasters at the angles, raised on turned supports, 104cm (41in) wide
Estimate: 800-1000
618. A George III brass bound mahogany writing box, with fitted interior with tooled leather inset, bearing a label for Hewlin's Cabinet Maker, Upholsterer, 51cm (20in) wide, Peter Hewlin is listed as working in London at the beginning of the 19th century
Estimate: 300-500
619. An early 20th century Queen Anne style walnut lounge suite, comprising a two seat sofa and a pair of matching wing chairs
Estimate: 500-600
620. A George III brass bound camphor wood campaign trunk, with brass furniture and hinged lid, 84cm (33in) wide
Estimate: 180-220
621. A George III figured mahogany bow front dressing chest, fitted three long drawers with brushing slide above, the broad cross banded top with ebony line inlay, raised on splay bracket feet
Estimate: 600-800
622. A 19th century, possibly Maltese, walnut and parquetry centre table, the top inlaid with a scene depicting St George slaying the dragon within a geometric border, the table fitted one frieze drawer, raised on cabriole tripod base, 64cm (25in) wide
Estimate: 700-1000
623. A George II walnut and parcel gilt looking glass, with simple parquet line inlay, the shaped mantel with segmented urn finial, 84cm (33in) high
Estimate: 800-1000
624. A George II mahogany tray topped night cupboard, with single panel door, raised on squared supports, 36cm (14in) wide
Estimate: 120-150
625. A Victorian mahogany chest of two short over two long drawers, with turned knob handles, raised on a plinth foot, 90cm (36in) wide
Estimate: 180-220
626. A George III style mahogany nest of three intersliding occasional tables, 51cm (20in)
Estimate: 70-100
627. An Edwardian inlaid mahogany Sutherland table, with oval top and shaped base, 61cm (24in) wide
Estimate: 80-100
628. A substantial 19th century oak mantelpiece and fire surround, fluted columns and carved panel decoration, inset bevel mirrors, 180cm (71in) wide
Estimate: 200-300
629. A set of eight 19th century mahogany Regency design single dining chairs, rope twist back rails on sabre supports, fitted drop-in seats upholstered in Regency stripe fabric
Estimate: 500-700
630. A carved French limestone fireplace, in the Gothic taste, oak leaf and acorn spandrels, the mantelpiece 135cm (53in) wide
Estimate: 300-500
631. A part early 17th century carved oak credence table, with hinged fold-over top with one frieze cupboard, raised on turned supports joined by an undertier
Estimate: 500-800
632. A part 17th century oak joint stool, with slender cup and cover supports, 46cm (18in) wide
Estimate: 250-300
633. A c.1700 oak joint stool, with ring turned supports, 50cm (19 3/4in) wide
Estimate: 200-300
634. A mid 17th century oak joint stool, with very plain cup and cover supports and lunette frieze, 39cm (15 1/4in) wide
Estimate: 220-250
635. A part early 18th century figured and quartered walnut kneehole dressing table, fitted seven drawers and a central kneehole cupboard, 82cm (32in) wide
Estimate: 450-500
636. A late 18th century mahogany birdcage tripod table, with urn stem and tripod supports, 74cm (29in) diameter
Estimate: 220-250
637. A part early 18th century carved oak court cupboard of unusual form, the upper section monogrammed 'CPD' and dated 1704, fitted two cupboards and single frieze drawer, 69cm (27in) wide
Estimate: 300-350
638. A late 17th century oak square centre table, with baluster legs and cross stretcher base, 49cm (19in) square
Estimate: 300-500
639. A pair of neoclassical painted and parcel gilt console tables in the style of Dawson & Newton, each with faux malachite top above a green key frieze and Doric column supports terminating in gilt lion's paws, 71cm (28in) wide
Estimate: 800-1000
640. A George III mahogany gentleman's wing back fireside chair, with hipped back, raised on square supports, with moulded corner detail
Estimate: 800-1000
641. A c. 1700 probably Italian open armchair, with shaped arms and vitruvian scroll supports, upholstered in petit point upholstery
Estimate: 800-1000
642. An early to mid 17th century oak joint stool, with lunette carved frieze, raised on segmented cup and cover supports joined by cross stretchers, 40cm (16in) long
Estimate: 400-600
643. A George III style mahogany long foot stool, fitted six plain square supports joined by cross stretchers, 117cm (46in)
Estimate: 80-100
644. A George III mahogany cartouche topped Pembroke table, fitted one frieze drawer, raised on reeded square supports, 76cm (30in) wide
Estimate: 280-320
645. A late 17th century French oak single drawer side table, with shaped top, raised on a baluster turned frame, 112cm (44in)
Estimate: 800-1000
646. A mid 18th century walnut swing dressing table mirror, with shaped frieze drawer, the mirror with scroll mantel, 52cm (20 1/2in) wide
Estimate: 300-400
647. A late 17th century oak side table, fitted one frieze drawer, raised on baluster supports joined by cross stretchers, 68cm (26 1/2in)
Estimate: 500-700
648. A George III cabinet maker's miniature sample mahogany wine table, with circular snap top over cabriole supports
Estimate: 350-400
649. A pair of early Victorian oak pole screens, with shield shaped panels and needlework scenes, with scroll tripod base
Estimate: 500-700
650. A George III mahogany and rosewood crossbanded gaming table, of 'D' shape, raised on turned supports, 92cm (36in) wide
Estimate: 400-500
651. A George III mahogany ribbon back open carver chair, with acanthus carved cresting rail and shaped arms over a drop in seat with green striped fabric
Estimate: 180-220
652. An early 18th century walnut chest of two short over three long drawers, the quartered top with herringbone banding, raised on a matched single drawer base, 97cm (38in) (old repair)
Estimate: 700-1000
653. A George III mahogany chest of three long drawers, with brushing slide above, raised on shaped bracket feet, 118cm (46in)
Estimate: 300-500
654. A Queen Anne walnut chest on chest, the upper section fitted three small drawers over three long, the base with three long drawers, all with crossbanded borders and 'bat' back plate handles
Estimate: 2200-2800
655. A Queen Anne figured walnut two-section fall front writing bureau, with cross-grain waist moulding, the interior with stepped pigeon holes and well, above a base of two short over two long drawers, raised on turned bun feet, 92cm (36in)
Estimate: 1800-2200
656. A George II oak regional side table with shaped top, the base with single frieze drawer, raised on turned supports with pad feet, 84cm (33in)
Estimate: 400-500
657. A Queen Anne design walnut pier glass, with cross grain moulded frame of hipped form, 59 x 130cm (23 x 51in)
Estimate: 120-150
658. An 18th century mahogany Chippendale style carver chair, with plain shaped cresting rail above a pierced splat, fitted shaped arms with scroll work terminals and stuff-over seat
Estimate: 180-220
659. A 19th century French carved wood and gilt gesso poudreuse chair, with tied acanthus outline, cane seat and back panel, raised on fluted and turned supports
Estimate: 80-100
660. A George I walnut and oak chest on stand, fitted two short over three long drawers, the base with one long drawer and later sub-base, 100cm (39in) wide
Estimate: 700-900
661. Two similar 18th century mahogany ribbon back side chairs, with shaped cresting rails above jazzy blue Bargello stuff-over upholstery
Estimate: 100-150
662. A 17th century style oak joint stool, with cup and cover supports, 37cm (14in) wide
Estimate: 150-200
663. A part late 17th century oak joint stool, with baluster turned supports and shaped frieze, 46cm (18in) wide
Estimate: 150-200
664. A William IV mahogany dressing table stool, with woolwork stuff-over upholstery, 37cm (14in) wide
Estimate: 80-120
665. A part late 17th century oak joint stool, with knop turned supports joined by a cross stretcher, 49cm (19in) wide
Estimate: 150-200
666. A pair of late 18th century mahogany side chairs, with carved bar backs over stuff-over seats, raised on turned supports
Estimate: 180-220
667. A late Victorian walnut slope-fronted correspondence cabinet, 41cm (16in) wide
Estimate: 80-120
668. A c.1800 mahogany circular tripod table, with inverted sabre legs, 84cm (33in) diameter
Estimate: 120-150
669. An early 19th century figured mahogany plinth, in the manner of Thomas Hope, the rectangular plinth with inset marble top and gilt bronze mouldings, bearing a winged figure in the manner of Alexis Decaix, 29cm (11in) high
Estimate: 150-250
670. A pair of 19th century Indo-Moorish bone and mother of pearl inlaid octagonal tables, 30cm (12in) wide
Estimate: 80-100
671. A 20th century green figured marble Doric column, with single cyma base on a square plinth, 111cm (39 3/4in) high
Estimate: 250-300
672. A pair of Eastern cabinet doors, clad in embossed heavy white metal within moulded panels, fitted a heavy chain closure, 65 x 81cm (25 1/2 x 32in) high
Estimate: 80-100
673. A Victorian mahogany centre table, with a possibly later inset specimen marble top, the base with reformed Gothic buttress and quatrefoil detail, raised on end pillar supports with shaped sledge feet, 87cm (34in) wide
Estimate: 300-500
675. An Edwardian mahogany bow front sideboard, with kneehole, fitted a short drawer flanked by two panel doors, raised on square supports with spade feet, 137cm (54in) wide
Estimate: 120-150
676. An Edwardian inlaid mahogany display cabinet, with deep canted corners, fitted a pair of panel doors with diamond glazing bars, two frieze drawers below, raised on square supports joined by an undertier, 123cm (48 1/2in) wide
Estimate: 150-200
677. An early 19th century Irish stripped pine box settle, with high back, raised on shaped sledge feet, 101cm (41in)
Estimate: 200-300
678. A William IV figured Indian rosewood circular loo table, raised on inverted conical column above a Trafalgar base with scroll feet, bears an embossed plaque inscribed 'Improved Circular Loo Table', 126cm (49 1/2in)
Estimate: 500-800
679. A Holland & Co mahogany clerk's desk, fitted drawers and cupboards to the base and a kneehole cupboard, the upper superstructure now missing, 122cm (48in) wide
Estimate: 500-600
680. A William IV figured Indian rosewood double scroll end sofa, with shaped serpent back, raised on turned and carved supports, 210cm (83in) wide
Estimate: 350-450
681. A Victorian two seat Chesterfield sofa, with deep buttoned upholstery, raised on squat bun feet, 160cm (63in) wide
Estimate: 120-150
682. A Victorian walnut legged hoop backed nursing chair, with deep buttoned pink upholstery
Estimate: 70-100
683. An early 19th century wrought iron wine cellar rack, fitted with wall brackets, 58cm (22 3/4in)
Estimate: 80-100
684. An early Victorian mahogany fold-over gaming table, the top with baize-lined interior, raised on an octagonal pedestal column over a navette base, 91cm (36in)
Estimate: 100-150
685. A George IV mahogany bow fronted commode, of chest form, with lift up lid, 61cm (24in)
Estimate: 80-100
686. A George III inlaid mahogany 'D' shaped fold-over gaming table, raised on turned supports, 91cm (36in) wide
Estimate: 100-150
687. A George III mahogany single flap drop leaf table, raised on square supports, 91cm (36in)
Estimate: 100-150
688. A set of six mahogany Chippendale style chairs, comprising four singles and two carvers, with drop-in seats
Estimate: 150-200
689. A French Henri II style extending dining table, with leaf inserts, raised on multiple pillar supports, 107cm (42in) closed
Estimate: 400-500
690. A Victorian walnut twin pedestal writing desk, with inset leather top and three frieze drawers, 121cm (4ft) wide
Estimate: 200-300
691. A Victorian gentleman's mahogany fireside chair, with deep buttoned upholstery, and a matching nursing chair
Estimate: 100-150
692. A set of six French oak dining chairs, with carved decoration, with green upholstered backs and seats above turned and carved supports, the set comprising four singles and two carvers
Estimate: 250-300
693. A Victorian gilt framed overmantel mirror, with moulded outline, 114cm (45in) wide
Estimate: 80-100
694. A George III oak side table, fitted one long and two short drawers with brass handles, on square supports, 94cm (37in) wide
Estimate: 100-150
695. A part late 17th century oak court cupboard, the upper section fitted two carved cupboard doors and a central panel inscribed 'ERA 1686', the lower section fitted a pair of carved panel doors, raised on stile feet, 147cm (48in) wide
Estimate: 350-450
696. A George III oak West Midlands pot board dresser, the base fitted three drawers with brass handles over pot board, with associated plate rack back, 147cm (58in) wide
Estimate: 500-700
697. A George III oak mule chest, the top converted to a two door cupboard, over base fitted three drawers, with swan neck handles, on bracket feet, 140cm (55in) wide
Estimate: 300-500
698. A Victorian carved show-framed open arm salon chair, on cabriole fore supports, button back upholstery
Estimate: 80-120
699. An 18th century walnut veneer chest of two short over three long drawers, with herring bone cross banding, brass handles, raised on bracket feet, 94cm (37in) wide
Estimate: 200-300
700. An 18th century walnut chest on stand, the top fitted two short over three long drawers, with brass handles, on base fitted single drawer on cabriole supports, 95cm (37 1/2in) wide
Estimate: 300-400
701. A 19th century oak trestle dining table, with plank top on frame with chamfered square supports and plain 'H' stretcher, 200cm (78 1/2in)
Estimate: 250-350
702. A late 17th century oak side table, with plank top on turned baluster supports and plain stretchers, 69 x 41cm (27 x 16in)
Estimate: 200-300
703. A harlequin set of country Chippendale design dining chairs, comprising seven singles with varying pierced vase splat backs and plank seats, together with an open arm carver chair with drop-in upholstered seat
Estimate: 150-200
704. A 19th century mahogany framed open arm chair, with split cane panel back and slender arms on turned tapering fore supports
Estimate: 50-70
705. A part George III mahogany 'D' end pedestal table, the reeded edged top with three makeshift leaf inserts with matched finished, 107cm (42in) wide
Estimate: 100-150